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Miroslav Krleza |
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Krleža, Miroslav
Born July 7, 1893, in Zagreb. Croatian writer; vice-president of the Yugoslav Academy of Science and Art (since 1945). Graduated from the military academy in Budapest. First published in 1914. The drama of the Croatian people, forced to fight for foreign interests, is portrayed in Krleza’s early works—the collections Poems (1918–19) and Lyric Poems (1919), the collections of short stories The Croatian God Mars (1922) and A Thousand and One Deaths (1933), and the plays Galicia (1922; second version, In The Camp, 1934) and Vudjak (1923)—which are mainly associated with the theme of World War I (in which he served in the Austro-Hungarian Army). A presentiment of revolutionary changes and the ripening protest of the people is particularly clearly expressed in his journalistic career and his dramas Christopher Columbus (1918) and Golgotha (1922). In this period Krleza’s artistic principles were close to expressionism. His understanding of the revolutionary upheavals connected with the Great October Socialist Revolution in Russia sharpened his social sensitivity and made him critical of avantgarde excesses. In the late 1920’s and the 1930’s, Krleza created realistic works of keen social awareness (In Agony, 1928; The Glembaj Family, 1928; and Leda, 1932), which formed the widely known dramatic trilogy The Glembaj Family, reflecting the contradictions in Croatian bourgeois society. The novels The Return of Filip Latinovic (1932) and At the Edge of Reason (1938) contain harsh criticism of capitalism and of its morality and culture. The Ballads ofPetrica Kerempuh (1936), which can be traced to folklore, records the national protest against tyranny. The lampoon-novel Banquet in Blitva (books 1–2, 1938–39; book 3, 1962) was one of the first major antifascist works in Croatian literature. After Yugoslavia’s liberation from fascist occupation, Krleža began to appear in print as a journalist. He is publishing a multivolume epic novel, The Banners (vols. 1–5, 1963–68; still incomplete), whose plan is to reveal the social, political, and spiritual biography of several generations of Croats. Krleza is the director of the Institute of Lexicography and editor in chief of the Encyclopedia of Yugoslavia. WORKSSabrana djela, vols. 1–26—. Zagreb, 1953–69—.In Russian translation: Izbrannoe. [Afterword by M. Bogdanov.] Moscow, 1958. Stikhi. [Foreword by B. Slutskii.] Moscow, 1967. Vozvrashchenie Filippa Latinovicha. [Foreword by B. L. Suchkov.] Moscow, 1969. REFERENCESBogdanović, M. O Krleži. Belgrade, 1956.Gligorič, V. U vihoru. Belgrade, 1962. Pages 204–368. N. B. IAKOVLEVA Want to thank TFD for its existence? Tell a friend about us, add a link to this page, add the site to iGoogle, or visit the webmaster's page for free fun content. |
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No references found | Inspirations Red Cavalry and Odessa Tales by Isaac Babel Too Loud a Solitude by Bohumil Hrabal Alice in Wonderland by Lewis Carroll One Hundred Years of Solitude by Gabriel García Márquez On the Edge of Reason by Miroslav Krleza Next came Povratak Filipa Latinovicza ("The Return of Philip Latinovicz") by the Croatian author Miroslav Krleza (1893-1981), and a book by the Serbian writer Milos Crnjanski (1893-1977), Romano Londonu ("A Novel About London"). Thanks to the phenomenon of Crnjanski and his two prewar contemporaries, Ivo Andric and Miroslav Krleza, who never left the country, the postwar generations of Yugoslav writers did not experience the same hiatus which divided the present and the past literary tradition in Russia, where the avant-garde was systematically repressed for twenty years under Stalinism and deprived of official encouragement under Khrushchev and his successors. |
Miroslav Krleza |
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