Sabellianism

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Related to Modalism: Arianism

Sabellianism

3rd-century Christian heresy led by Sabellius. [Christian Hist.: EB, VIII: 747]
References in periodicals archive ?
The composer incorporated use of changing meters, modalism, pointillistic passages, archaic sounding harmonies, recitative, and vocal melismas in what Casella himself said alluded to "the fantastic style [of the poetry] made up of baroque heroism, buffoonish and familiar comedy, and eternally varied episodes" The music does indeed reflect these qualities in the poetic scenes from the Trecento.
MODALISM AND SUBSTANCE IN BASIL'S DEBATE WITH THE HOMOIANS
His topics include the claim that Jesus is the father and the holy spirit, the pre-existence of the son, and modalism and the early church.
Further, and in terms of dogmatic theology, the 'one mission' approach shows a questionable tendency to project socio-historic pre-conditions on to the inner workings of the Trinity (42), or that some form of modalism is being adhered to in which God is in fact active in other faiths as Spirit, but only for Christians in the Son.
Ever since the forties, when Latin jazz evolved from its roots in bebop, it incorporated the musical language of hard bop, modalism, post-bop and jazz-rock.
Thus it is not the superficial sound of gamelan music which Harrison has adopted, but the aspects of its hierarchical structure which intersect nicely with his own melodicism, modalism, and use of counterpoint.
The folk-like compositions, colored by an exotic modalism and odd-metered rhythms, are strikingly direct and beget unusually organic improvisations from the ensemble.
8) Hagemann argued in the mid-nineteenth century that some of Origen's arguments against modalism are directed against the views of Callistus.
I go on to discuss the relations between this account and modalism ([Sections] 4).
Other features he explains are inspired by his affinity for the classical musics of Japan and Indonesia, Australia's Asian neighbors, such as his particular modalism, the gamelanlike accompanying figures and gongs, the non-developing sectional construction, and the long, gradual increase of tension building to dramatic climax.
maintains a solid stance against modalism, he does not address the threat of tritheism, the Scylla to modalism's Charybdis.
Here, the author's aim is to put forward a new version of modalism that is, he argues, immune to Fine's counter-examples.