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Montale, Eugenio |
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Montale, Eugenio (ā
jĕ`nyō mōntä`lā), 1896–1981, Italian poet, critic, and translator. After working as an editor, Montale became chief librarian of the Gabinetto Vieusseux in Florence. His complex poetry expresses the tensions and disorders of 20th-century European culture, especially of Italian social and political life under fascism. Montale's pessimistic philosophy stressed that only the occasional moment of joy could give one a glimpse of salvation in the midst of one's hopeless existence on earth. Montale speaks with a stoic voice, one resigned to accept the absurdities and illusions of life. The collection Poesie (1958, tr. 1964) includes Ossi di seppia (1925), Le occasioni (1939), and La bufera e altro (1956). Montale's other works include The Butterfly of Dinard (1956, tr. 1971), a collection of book reviews and cultural criticism written for the newspaper Il corriere della sera, as well as Quaderno di traduzioni (1975), translations of T. S. Eliot, Shakespeare, Cervantes, and Corneille. Montale was awarded the Nobel Prize in literature in 1975.
BibliographySee his Collected Poems, tr. by J. Galassi (1998); studies by G. Cambon (1972), G. S. Singh (1973), and R. J. West (1981). Montale, Eugenio(born Oct. 12, 1896, Genoa, Italy—died Sept. 12, 1981, Milan) Italian poet, prose writer, editor, and translator. Montale began his literary activities after World War I, cofounding a journal, writing for other journals, and serving as a library director in Florence. His first book of poems, Cuttlefish Bones (1925), expressed the bitter pessimism of the postwar period. He was identified with Hermeticism in the 1930s and '40s, and his works became progressively introverted and obscure. With The Storm and Other Poems (1956) his writing showed the increasing skill, warmth, and directness characteristic of his late period. His stories and sketches were collected in The Butterfly of Dinard (1956). He received the Nobel Prize for Literature in 1975. Montale, Eugenio Born Oct. 12, 1896, in Genoa. Italian poet and representative of the hermetic movement. Montale’s lyric poetry of the 1920’s and 1930’s, including the collections Cuttlefish Bones (1925) and The Occasions (1939), expresses the precarious nature of existence and the inner loneliness of man. During World War II and the period of the Italian resistance movement, his lyrical diary reflected a protest against the inhumanity of fascism, for example, his poem “Hitlerite Spring” (1943). In his postwar poetry, Montale sought to find a way out of pessimism toward greater mutual understanding, as in his collection The Whirlwind and More (1956). In the collection Satura (1972), the lyrical internal monologue is very topical and humanistic themes are combined with social irony. Montale was awarded the Nobel Prize in 1975. WORKSLa casa dei doganieri ed altri versi. Florence, 1932.Diario del ’71 e del ’72. Milan, 1973. In Russian translation: Ital’ianskaia lirika: XX vek. Moscow, 1968. “Iz knigi ‘Satura’.” Inostrannaia literatura, 1973, no. 1. REFERENCESManacorda, G. Montale. Florence, 1969 (Contains bibliography.)Nascimbeni, G. Montale, 2nd ed. Milan, 1969. Carpi, U. Montale dopo il fascismo dalla “Bufera” a “Satura.” Padua, 1971. Z. M. POTAPOVA Want to thank TFD for its existence? Tell a friend about us, add a link to this page, add the site to iGoogle, or visit the webmaster's page for free fun content. |
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