Morisot, Berthe (bĕrt môrēzō`), 1841–95, French impressionist painter. She studied with many gifted painters, including Corot Corot, Jean-Baptiste Camille (zhäN-bätēst` kämē`yə kôrō`)
..... Click the link for more information. . She formed a close friendship with Manet Manet, Édouard (ādwär` mänā`), 1832–83, French painter, b. Paris.
..... Click the link for more information. , who became her brother-in-law, and she served as model for several of his best-known paintings. The two greatly influenced each other's artistic development. Her own later work inclined toward pure impressionism in its rendering of light, while retaining an unusual smoothness of brushwork. Her paintings formed an important addition to all but one impressionist exhibit from 1874 through 1885. Her most notable works, including Young Woman at the Dance (1880; Paris) and La Toilette (Art Inst., Chicago), are painted in clear, luminous colors. Her early subject matter included landscapes and marine scenes; later she most frequently painted tranquil portraits of mothers and children. Morisot's works have been particularly popular in the United States, and many important works are in American collections.

Bibliography

See catalog (ed. by D. Rouart, 1960); her correspondence (ed. by D. Rouart; tr., 2d ed. 1959).

Morisot, Berthe

(born Jan. 14, 1841, Bourges, France—died March 2, 1895, Paris) French painter and printmaker. Granddaughter of Jean-Honoré Fragonard, she studied with Camille Corot, but the major influence over her work was Édouard Manet, whose brother she later married. She exhibited regularly with the Impressionists. None of her exhibits proved commercially successful, but she outsold Claude Monet, Pierre-Auguste Renoir, and Alfred Sisley. Her colouring was delicate and subtle, often with a subdued emerald glow, and her subjects were often members of her family. She is best known for her extremely loose brushwork and for the sensitivity she brought to her female subjects.