music hall

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music hall.

In England, the Licensing Act of 1737 confined the production of legitimate plays to the two royal theaters—Drury Lane and Covent Garden; the demands for entertainment of the rising lower and middle classes were answered by song, dance, and acrobatics, and later by pantomime and comic skits and sketches provided by keepers of inns and taverns. The atmosphere, amidst eating and drinking, was boisterous and gay. Following the abolition (c.1843) of the royal-theater patents, the rise of the music hall as a separate place of variety entertainment was rapid. Personalities, such as the English Joseph Grimaldi, Dan Leno, Beatrice Lillie, and Gracie Fields and the French Yvette Guilbert, Maurice Chevalier, and Edith Piaf became stars, beloved by their audiences. Like American vaudevillevaudeville
, originally a light song, derived from the drinking and love songs formerly attributed to Olivier Basselin and called Vau, or Vaux, de Vire. Similar to the English music hall, American vaudeville was a live entertainment consisting of unrelated songs,
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, the music hall went into a decline with the coming of radio and motion pictures.


See D. Howard, London Theatres and Music Halls, 1850–1950 (1971).

Music Hall


a type of variety theater. It derived from early 18th-century shows in English taverns, in which devices of farce, buffoonery, and grotesque were widely used.

One of the first music halls was organized at Vauxhall, a suburb of London. In 1890 the Alhambra Music Hall was opened in London, with variety and circus performers appearing in reviews; particularly successful were the comic clown acts. At first, music-hall performances were intended primarily to appeal to the broad masses of the people; however, European and American music halls later produced extravagant stage acts, grandiose spectacles (reviews), and vulgar erotic performances (with nude dancing girls).

The futurists devoted much attention to the music hall, contrasting its mechanical quality with dramatic theater. They attempted to justify the place of music halls in an industrial society. In the USSR the first music hall was opened in 1923 at the Moscow Aquarium Gardens. In 1926 a music hall was established on the present-day site of the Second State Circus (including the following reviews staged in 1934: How the 14th Division Entered Paradise by Dem’ian Bednyi and Under the Circus Dome by Il’f, Petrov, and Kataev). Music halls were also opened in Leningrad, Gorky, Rostov-on-Don, Baku, Taganrog, and other places. (They remained open until the mid-1930’s.) In the early 1960’s, the Moscow, Leningrad, and Georgian traveling music halls were established.


music hall

Chiefly Brit
a. a variety entertainment consisting of songs, comic turns, etc.
b. (as modifier): a music-hall song
2. a theatre at which such entertainments are staged
References in periodicals archive ?
It is commonly known that Chaplin was a comic actor in British music-hall before he was hired by Mack Sennett for Keystone in 1913 and began his film career as the Tramp in Hollywood.
It is a bitter-sweet story about a third rate music-hall troupe touring the provinces that brings to mind Colette's novel 'L'Envers du music-hall'.
The obviousness of this racial interpretation relied on aesthetical techniques : critics set the show in two histories that would bave been mixed within La Revue Negre--the history of the revue a grand spectacle, concerning the evolutions of music-hall, and the history of modern ballet, dealing with the innovations of avant-gardes.
La Revue Negre rue un espectaculo de music-hall que suscito vivas polemicas en 1925.
Another resource you may wish to try is an excellent website devoted to the development of pantomime and its roots in music-hall tradition.
But rather than doing it in a hip-hop style, we did it in more of' a music-hall style.
Nan's awakening starts with seductive entertainer Kitty Butler (Keely Hawes), who performs her music-hall act in drag as a jaunty young man.
Sing Us One of the Old Songs is a guide to the music-hall songs of this period that attempts to answer the question, Who wrote what and when and who sang it?
The core song list of around 1,250 items represents the most important part of the music-hall repertory.
In Bradford, one famous hostelry was described as regularly frequented on Sunday evening by a range of male middle-class individuals, including a town councillor, an articled clerk, lawyer, architect, artist, "a wool merchant with a taste for the drama, a draper with a taste for a bottle of stout and a commission agent with a taste for music," mixing with music-hall entertainers, cricket and footballing players and vocalists, some 'fresh from churches and chapels', having "listened attentively to the sermon which has been preached.