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Mutanabbi, Al- |
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Mutanabbi, al-, 915–65, Arab poet, considered the greatest classical Arabic poet, b. Iraq. His early involvement with a religious cult earned him the sobriquet "the would-be prophet." He was part of the brilliant court of the Hamdanid ruler Sayf al-Dawlah in Aleppo, where he wrote many of his elaborate panegyrics.
Mutanabbi, (Abu al-Tayyib Ahmad ibn Husayn) al-(born 915, Al-Kufah, Iraq—died Sept. 23, 965, near Dayr al-'Aqul) Poet regarded by many as the greatest in the Arabic language. Al-Mutanabbi received an education, unusual for his time and rank, because of his poetic talent. He lived among the Bedouin and, claiming to be a prophet, led an unsuccessful Muslim revolt in Syria. After two years' imprisonment he recanted and became a wandering poet, eventually leaving Syria for Egypt and Iran. He primarily wrote panegyrics in a flowery, bombastic style marked by improbable metaphors. His poetic voice is proud and arrogant in tone, and his verse is crafted with consummate skill and artistry. His powerful influence on Arabic poetry persisted into modern times. Mutanabbi, Al- (full name, Abu al-Tayyib Ahmad ibn Hu-sayn alMutanabbi). Born 915, in Al Kufah; died Sept. 23, 965, near Numaniyah. Arabian poet. A descendant of a southern Arabian tribe, al-Mutanabbi learned bedouin ethical and aesthetic traditions. He grew up and lived amid the social instability and ethnopolitical dissension of the feudally divided caliphate. Gifted and ambitious, al-Mutanabbi became a professional wandering poet at the age of 12. He dedicated odes to important personages, gradually gaining recognition and establishing himself at the courts of the emirs of Syria, Egypt, and Iraq. He achieved his greatest success and glory at Aleppo (Halab; 948–957) during the rule of Sayf al-Dawlah. He was murdered in revenge for some satirical verses. Al-Mutanabbi’s legacy comprises more than 100 odes (qasidas) and up to 200 short poems and fragments. Among the factors that made al-Mutanabbi a popular poet in the Arab world were the restless and freedom-loving spirit of his lyrical hero, with his excessive pride and self-abasement; the contrasting alternation of moods and feelings and of philosophical and lyrical reflections expressed in laconic maxims and aphorisms; the secular orientation of his poetry; his Arab-bedouin patriotism; his rich language and energetic rhythm; and his innovations in the qasida verse form and in epithets and metaphors. Al-Mutanabbi also influenced Persian poetry. WORKSDiwan al-Mutanabbi, vols. 1–4. Cairo, 1936.REFERENCESKrachkovskii, I. Iu. “Al’-Mutanabbi i Abu-l-Ala.” Izbr. soch., vol. 2. Moscow-Leningrad, 1956.Blachère, R. Un Poete arabe du IV siècle de l’Hègire: Abou-Tayyib al-Motanabbi. Paris, 1935. Brockelmann, C. Geschichte der arabischen Literatur, 1st supplement. Leiden, 1943. Husayn Ali Mahfuz. Al-Mutanabbi wa Sa’di. Tehran, 1957. A. B. KHALIDOV Want to thank TFD for its existence? Tell a friend about us, add a link to this page, add the site to iGoogle, or visit the webmaster's page for free fun content. |
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