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Mahfouz, Naguib |
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Mahfouz, Naguib (nəgēb` mäkhf s`), 1911–2006, Egyptian novelist and short-story writer, b. Cairo. After his graduation (1934) from Cairo Univ., he worked in various government ministries until his retirement in 1971. Mahfouz was the best-known and most widely respected 20th-century writer in Egypt and probably in the whole Arab world, where many of his works were adapted for film and television. His novels are characterized by realistic depictions of Egyptian social, political, and religious life in the troubled 20th cent. They feature a wide variety of ordinary citizens, usually inhabitants of Cairo, and include fictional explorations of such issues as the position of women and the treatment of political prisoners. Stylistically, his works rejuvenated literary Arabic, and in 1988 he became the first Arabic writer to win the Nobel Prize in Literature.
In all, Mahfouz wrote 33 novels, dozens of short stories, several plays, 30 screenplays, and a variety of other works. However, much of his reputation is based on his 1956–57 "Cairo Trilogy"—Bayn al-Qasrayn, Qasr ash-Shawq, and As-Sukkariyya (tr. as Palace Walk, 1989, Palace of Desire, 1991, and Sugar Street, 1992)—a sweeping series of novels that traces the history of a middle-class Cairo Muslim family through three generations, from 1917 to 1952. Another well-known novel, Awlad Haratina (1959; tr. Children of Gebelawi, 1981, Children of the Alley, 1995), a semibiblical allegory, includes characters identified with Muhammad, Jesus, Adam and Eve, and Moses. Considered blasphemous by some, it remains controversial in the Arabic-speaking world and was banned in Egypt. In the 1960s Mahfouz abandoned some of his realistic techniques and began to write shorter, faster-paced novels with stream of consciousness narratives and scriptlike dialogue, e.g., The Search (1964, tr. 1991). His other novels include Midaq Alley (1947, tr. 1975) and Miramar (1967, tr. 1978). Among his short stories are those in God's World (tr. 1973). Mahfouz was an outspoken advocate of peace between Egypt and Israel, a position that made him a controversial figure in his homeland. In 1994 he was stabbed in an assassination attempt, apparently by an Islamic fundamentalist. Weakened by age, further debilitated by the attack, and unable to write longer pieces, during his late 80s he began to compose extremely brief dream-based vignettes; a number of them were serialized in Egypt and later collected in The Dreams (2005). BibliographySee his Echoes of an Autobiography (1997) and Naguib Mahfouz at Sidi Gaber: Reflections of a Nobel Laureate 1994–2001 (2001); studies by S. Somekh (1973), M. Peled (1983), H. Gordon (1990), T. Le Gassick, ed. (1991), M. Beard and A. Haydar, ed. (1993), R. El-Enany (1993), M. Moosa (1994), and M. Milson (1998), R. A. M. Mneimneh, ed. (2004); bibliography by the Bibliographic and Computer Center, Cairo (2003). Mahfouz, Naguib(born Dec. 11, 1911, Cairo, Egypt—died Aug. 30, 2006, Cairo) Egyptian writer. He worked in the cultural section of the Egyptian civil service from 1934 to 1971. His major work, the Cairo Trilogy (1956–57)—including the novels Palace Walk, Palace of Desire, and Sugar Street—represents a penetrating overview of 20th-century Egyptian society. Subsequent works offer critical views of the Egyptian monarchy, colonialism, and contemporary Egypt. Other well-known novels include Midaq Alley (1947), Children of Gebelawi (1959), and Miramar (1967). He also wrote short-story collections, some 30 screenplays, and several stage plays. In 1988 he became the first Arabic writer to win the Nobel Prize for Literature. How to thank TFD for its existence? Tell a friend about us, add a link to this page, add the site to iGoogle, or visit webmaster's page for free fun content. |
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The life of Egypt's Nobel Prize-winning author Naguib Mahfouz (1911-2006) was celebrated at a Sept. The Nobel Prize-winning Egyptian novelist, Naguib Mahfouz, for example, in his novella about the death of Anwar Sadat, The Day the Leader Was Killed, presents a character who sees the inscription from Dante's hell "ENTER HERE WITHOUT HOPE" on a sign over a food company in Cairo, Egypt. By the early and mid 1990s Egyptian intellectuals such as Nasr Abou Zeid (persecuted for his "blasphemous" interpretation of the Qur'an), Nawal Saadawi (a feminist who targeted the issue of female circumcision) and Noble laureate Naguib Mahfouz were becoming clearly incompatible with the fundamentalist agenda of promoting "spiritual salvation" as a substitute for economic and social justice. |
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