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Neorealism |
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Neorealismor neorealismoItalian aesthetic movement that flourished especially after World War II. It sought to deal realistically with the events leading up to the war and with their resulting social problems. Rooted in the 1920s, it was similar to the verismo (“realism”) movement, from which it originated, but differed in that its upsurge resulted from the intense feelings inspired by fascist repression, the Resistance, and the war. Neorealist writers include Italo Calvino, Alberto Moravia, and Cesare Pavese. During the fascist years many Neorealist writers went into hiding, were imprisoned or exiled, or joined the Resistance. The movement reemerged in full strength after the war. Neorealism in film embraced a documentary-like objectivity; actors were often amatuers, and the action centred on commonplace situations. Often crudely and hastily made, Neorealist productions stood in stark contrast to traditional escapist feature films. Two notable examples of Neorealist films are Roberto Rossellini's Open City (1945) and Vittorio De Sica's The Bicycle Thief (1948). How to thank TFD for its existence? Tell a friend about us, add a link to this page, add the site to iGoogle, or visit webmaster's page for free fun content. |
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| In 1997, Antonio Riello anonymously posted on the Web a video game entitled Italiani brava gente, 1995, named after a Neorealist war movie known as Attack and Retreat in English but literally translated "The Italians, Good People. This approach is firmly rooted in a neorealist perspective or, to use Zhao's own words, "an international system-centered approach, which assumes that state behaviour is guided by the logic of national interests, defined in terms of survival, security, power and relative capacities" (p. OPEN CITY and PAISAN: Roberto Rossellini's neorealist classics about the war in Italy are richly moving compilations of anecdotal drama. |
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