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Ngugi wa Thiong'o

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Ngugi wa Thiong'o (ĕng`gē wä tē-ŏng`gō) or James Ngugi, 1938–, Kenyan writer, acclaimed as East Africa's foremost novelist. He studied at universities in Uganda and England. His first novel, Weep Not, Child (1964) and his second, A Grain of Wheat (1967), are accounts of the Mau Mau Mau Mau , secret insurgent organization in Kenya, comprising mainly Kikuyu tribespeople. They were bound by oath to force the expulsion of white settlers from Kenya.
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 rebellion. Ngugi is particularly concerned with preserving native African languages, and in 1977 he wrote (with Ngugi wa Mirii) and directed a play, Ngaahika Ndeenda (tr. I Will Marry When I Want, 1982), in Kikuyu. The production was so popular among Kikuyu farmers and workers that the government, fearing the play would encourage political dissent, banned it. Arrested and detained (1978–79) for his novel Petals of Blood, Ngugi wrote about his prison experience in Detained: A Writer's Prison Diary (1981). After his release, he continued to write in Kikuyu and English. In 1982 he went into self-imposed exile in London, later settling in the United States, where he now is a professor at the Univ. of California, Irvine. A triumphant trip home in 2004 was cut short when he and his wife were brutally attacked in Nairobi; they soon returned to the United States.

Ngugi's literary targets have included governmental corruption, socioeconomic exploitation, and religious hypocrisy. Some of his writings, such as the novels Petals of Blood (1977), his last novel in English; Caitaani mutharaba-ini (1980; tr. Devil on the Cross, 1982), his first novel in Kikuyu, written while he was in prison; and Matigari (1986, tr. 1990), are still politically controversial. Ngugi's lengthy novel Murogi wa Kagogo (2004, tr. Wizard of the Crow, 2006) is a surreal, allegorical, and satirical fantasia of corruption, venality, and shape-shifting magic in a fictional postcolonial country resembling his homeland—and other 20th-century African nations. His nonfiction works include Barrel of a Pen (1983), Decolonising the Mind (1986), Moving the Centre (1992), and Penpoints, Gunpoints, and Dreams (1998). He also has written children's books.

Bibliography

See studies by C. B. Robson (1979), G. D. Killam (1980; as ed., 1984), D. Cook and M. Okenimkpe (1983 repr. 1997), C. Sicherman (1990), C. M. Nwankwo (1992), H. Narang (1995), C. Cantalupo, ed. (1995), I. B. Lar and T. I Ogundare (1998), J. Ogude (1999), S. Gikandi (2000), O. Lovesey (2000), P. Nazareth, ed. (2000), and J. G. Ndigirgi (2006).


Ngugi wa Thiong'o

 orig. James Thiong'o Ngugi

(born Jan. 5, 1938, Limuru, Kenya) Kenyan novelist. Educated in Uganda and England, he wrote the first major novel in English by an East African; the popular Weep Not, Child (1964) is the story of a family drawn into the struggle for Kenyan independence. His other novels include A Grain of Wheat (1967) and Petals of Blood (1977). As he became more sensitive to the effects of colonialism, he adopted his traditional name and wrote in the Bantu language of the Kikuyu people. He also wrote plays and numerous essays on literature, culture, and politics.



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Incidentally, it is this "deviant" style of epic rendition that encourages some African novel critics to adopt a flexible approach to critiquing the classical African novels of, for instance, both Ngugi wa Thiong'o and Mongo Beti (Ezeigbo 1992: 614).
NGUGI WA THIONG'O is Distinguished Professor of English and Comparative Literature and Director, International Center for Writing and Translation, University of California, Irvine.
In the Clarendon lectures given at Oxford University in 1996, formerly imprisoned Kenyan novelist Ngugi wa Thiong'o theorized that whereas the state seeks to silence alternate stories, "art tries to restore voices to the land.
 
 
 
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