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Pisano, Andrea |
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Pisano, Andrea (ändrĕ`ä pēzä`nō), c.1290–c.1348, Italian sculptor, also called Andrea da Pontedera. His most important work, the first bronze doors of the baptistery in Florence, was begun in 1330. In 28 panels he depicted scenes from the life of John the Baptist. Through Andrea, Italian sculpture came under the influence of the painter and architect Giotto Giotto (Giotto di Bondone) , c.1266–c.1337, Florentine painter and architect. He is noted not only for his own work, but for the lasting impact he had on the course of painting in Europe.
..... Click the link for more information. , whom he succeeded as head of the work on the cathedral and the campanile in Florence. It is still debated whether the design for the campanile reliefs is to be credited to Giotto or to Andrea. Andrea spent his last year in Orvieto, directing work on the facade of the cathedral. Pisano, Andreaor Andrea da Pontedera(born c. 1270–90, Pontedera, near Pisa—died c. 1348/49, Orvieto, Papal States) Italian sculptor and architect. He created the earliest of three bronze doors for the Baptistery of the cathedral of Florence (1330–36). On Giotto's death in 1337, Andrea succeeded him as chief architect of the cathedral's bell tower, to which he added two stories adorned with panel reliefs. In 1347 he was appointed superintending architect of the cathedral of Orvieto. One of the most important Italian sculptors of the 14th century, he is known for his restrained style and skillful arrangement of figures. Want to thank TFD for its existence? Tell a friend about us, add a link to this page, add the site to iGoogle, or visit the webmaster's page for free fun content. |
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No references found | For example, the Nino Pisano and an anonymous painter, Crucifixion with Mary and John (1365), Filippino Lippi and Benedetto da Maiano's reconstructed Bernardi Polyptich (1482/83), and Pontormo's Archangel Michael and John the Evangelist once surrounding a now-lost central sculpture (1519) suggest not only the beauty of original projects, but also the nexus of theoretical concerns discussed at the time. For it is clearly the result of decades of close study and observation in the field of late medieval Italian sculpture (her two previous books being firstly, on Andrea and Nino Pisano and, secondly, on the Arca di San Domenico in Bologna). |
Nino Pisano |
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