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Nono, Luigi

   Also found in: Wikipedia, Hutchinson 0.07 sec.
Nono, Luigi (lē`jē nô`nō), 1924–90, Italian composer, b. Venice. Nono studied with Hermann Scherchen and Bruno Maderna. He adopted the twelve-tone method of composition (see serial music serial music, the body of compositions whose fundamental syntactical reference is a particular ordering (called series or row) of the twelve pitch classes—C, C#, D, D#, E, F, F#, G, G#, A, A#, B—that constitute the equal-tempered scale.
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), and his first major work, the Canonic Variations (1950), is based on a tone row from Arnold Schoenberg's Ode to Napoleon. (Nono married Schoenberg's daughter in 1955.) Reflecting his Communist views, several of Nono's works are overtly political. Examples are the cantata Il canto sospeso (1956), to texts from letters by resistance fighters, for soloists, chorus, and orchestra and the antifascist opera Intolleranza (1960–70). In later years Nono wrote electronic music. A Floresta é jovem e cheja de vida (1967) is for three speakers declaiming texts expressing the struggles of Vietnamese guerrilla fighters, with clarinet, bronze sheets, and tape. The most important work of his later years was the lengthy and ambitious opera Prometeo (1984), widely considered his masterpiece.

Nono, Luigi

(born Jan. 29, 1924, Venice, Italy—died May 8, 1990, Venice) Italian composer. A law student, he also studied music with Gian Francesco Malipiero (1882–1973), Bruno Maderna (1920–73), and Hermann Scherchen (1891–1966). He came to public attention in 1950 with his work Variazioni Canoniche, orchestral variations on a 12-tone theme of Arnold Schoenberg, whose daughter Nuria he married in 1955. An avowed communist, Nono often produced works of political substance, many of which sparked controversy and reaction. He employed aleatory (chance) techniques and serialism, sometimes fragmenting language and using electronically manipulated sounds. His best-known work is the opera Intolleranza (1961).



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