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Saga, city, JapanSaga (sä`gä), city (1990 pop. 169,963), capital of Saga prefecture, W Kyushu, Japan. It is a railroad and coal-distribution center. Cotton textiles and ceramics are produced in the city. A castle town in feudal times, Saga was the center of a rebellion in 1874. Saga prefecture (1990 pop. 877,865), 946 sq mi (2,450 sq km), is known for its advanced techniques in growing rice and oranges, as well as for its dairy farming and cattle raising.saga, in Old Norse Literaturesaga, in Old Norse literature Old Norse literature, the literature of the Northmen, or Norsemen, c.850–c.1350. It survives mainly in Icelandic writings, for little medieval vernacular literature remains from Norway, Sweden, or Denmark...... Click the link for more information. , especially Icelandic and Norwegian, narrative in prose or verse, centering on a legendary or historical figure or family. Sagas may be divided into sagas of the kings, mainly of early Norwegian rulers; Icelandic sagas, both biographical and historical; contemporary sagas, which were also Icelandic and were written about living persons; legendary sagas of the distant past; and sagas that were translations of foreign romances. Sagas were composed from about the early 11th to the mid-14th cent. and were first written down c.1200. Scholars disagree as to the extent to which written versions borrowed from earlier oral compositions. The sagas vary greatly in length. The greatest attention has been given to the history sagas (e.g., Sturlungasaga), the family sagas (e.g., Njála, tr. by G. W. Dasent, 1861; M. Magnusson and P. Palsson, 1960), and the mythical heroic sagas (e.g., Völsungasaga, tr. by William Morris, 1870). In all these the epic element is strong, and the milieu of a heroic society is made vivid. Historical accuracy was often a major aim of the saga, although reworking, interjection of the supernatural, and other changes caused distortion. The historical approach is felt in the careful selection of events and the great emphasis on cause and effect. Among other noted sagas are the Heimskringla of Snorri Sturluson Snorri Sturluson or Sturleson , 1178–1241, Icelandic chieftain, historian, critic, and saga teller, the leading figure in medieval Norse literature. ..... Click the link for more information. (tr. by L. Hollander, 1964); the Laxdœla, translated in Earthly Paradise by William Morris; the Grettla, translated by the same author; the Frithjof, translated by Esaias Tegnér Tegnér, Esaias , 1782–1846, Swedish poet, bishop of Växjö. Tegnér was the most popular of the Swedish romantic poets. An optimistic nationalist and liberal in his youth, he later became melancholy and conservative and was subject to ..... Click the link for more information. ; and Gisli, translated by R. B. Allen. BibliographySee The Sagas of the Icelanders (2000) for a selection of the sagas. See also S. Einarsson, A History of Icelandic Literature (1957); P. Hallberg, The Icelandic Saga (tr. 1962); L. Lönnroth, Njáls Saga (1976); C. Clover, The Medieval Saga (1982); P. Schach, Icelandic Sagas (1984). sagaGenre of prose narrative typically dealing with prominent figures and events of the heroic age in Norway and Iceland, especially as recorded in Icelandic manuscripts of the late 12th and 13th century. Once thought to be orally transmitted history that had finally been written down, sagas are now usually regarded as reconstructions of the past, imaginative in varying degrees and created according to aesthetic principles. Important ideals in sagas are heroism and loyalty; revenge often plays a part. Action is preferred to reflection, and description of the inner motives and point of view of protagonists is minimized. Subdivisions of the genre include kings' sagas, recounting the lives of Scandinavian rulers; legendary sagas, treating themes from myth and legend; and Icelanders' sagas. See also Grettis saga, Njáls saga. saga 1. any of several medieval prose narratives written in Iceland and recounting the exploits of a hero or a family 2. any similar heroic narrative 3. a series of novels about several generations or members of a family 4. any other artistic production said to resemble a saga
Saga a prefecture in Japan, in the northwestern part of the island of Kyushu. Area, 2,400 sq km. Population, 826,000 (1973), more than 50 percent of which is urban. The capital is the city of Saga. The prefecture is part of the Kitakyushu economic region. In Saga, 80,000 hectares are under cultivation, of which more than one-half is sown with rice; the rice harvest was 244,000 tons in 1972. Other crops are barley, wheat, and millet; mandarins (harvest of 193,000 tons), mulberry, pears, and plums are grown on the mountain slopes. There are tea plantations in the vicinity of Ureshino. The area has truck farming, and there is coastal fishing and marine trade. Saga has a food industry, accounting for one-third of the cost of industrial production in Saga Prefecture; there are also textile, woodworking, and glass and ceramics industries. Industrial porcelain products are made in the areas near Arita and Imari. Also in the Imari area are a shipyard and a wood-veneer factory. Hard coal is mined in the Karatsu basin. The city of Genkai is the site of an atomic power plant (1975; power output, 559 megawatts). The prefecture is a center for tourism: it has the Genkai National Park, the Nanatsugama caves, and the Nijino Matsubara walkway (in the city of Karatsu). There are hot mineral springs at Takeo and Ureshino. N. A. SMIRNOV Saga a city in Japan, on northwestern Kyushu, on the fertile Saga plain. Administrative center of Saga Prefecture. Population, 148,000 (1973). Saga is a transportation junction. Industry includes electrical machine building, machine tool construction, instrument-making, and production of porcelain and ceramic wares, food, and textiles. There is also fish farming. A museum of commerce and industry is located in Saga. Saga an Old Icelandic prose tale. The only extant sagas were set down in writing between the second half of the 12th century and the 14th century. The most original are the family sagas, or “sagas about the Icelanders”; these are the sagas most often referred to when “Icelandic sagas” or simply “sagas” are spoken of. Family sagas are characterized by historical realism, faithful portrayals of daily life, and epic simplicity. Their deep psychological nature derives from the lively dialogue and the descriptions of the heroes’ feats. The basic plot outline of almost every saga of this type is a family feud. The family sagas are full of the fatalism that characterizes paganism. Authorship has not been determined. The influence of the oral tradition is most evident in the early works, whereas some of the later sagas may be seen as works first composed in writing. A second group of sagas are the kings’ sagas, or “sagas about the kings of Norway.” Two authors are known by name: Snorri Sturluson (1178–1241) and Sturla Thordarson (died 1284). The sources for the royal sagas were oral legends, the poetry of the skalds, tales of eyewitnesses, and documents. A third group comprises sagas about bishops and the leaders of Iceland. These sagas were written mainly by people who witnessed the events that are recounted. They have the character of chronicles, and some exhibit noticeable religious and moralistic tendencies. Prose translations of tales of chivalry are also called chivalric sagas. The word saga is used in Russian to apply to Irish epic poetry as well. EDITIONSIslandskie sagi. Moscow, 1956.REFERENCESSteblin-Kamenskii, M. I. Islandskaia literatura. Leningrad, 1947.Steblin-Kamenskii, M. I. Mir sagi. Leningrad, 1971. Olgeirsson, E. Izproshlogo islandskogo naroda. Moscow, 1957. Gurevich, A. Ia. Istoriia i saga. Moscow, 1972. Andersson, T. M. The Problem of Icelandic Saga Origins: A Historical Survey. New Haven, Conn.-London, 1964. Want to thank TFD for its existence? Tell a friend about us, add a link to this page, add the site to iGoogle, or visit the webmaster's page for free fun content. |
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