Bulat Okudzhava

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Okudzhava, Bulat Shalvovich

 

Born May 9, 1924, in Moscow. Soviet Russian poet. Member of the CPSU since 1955. Fought in the Great Patriotic War.

In 1950, Okudzhava graduated from the University of Tbilisi. His works were first published in 1953. The main themes of his lyric poetry, including the collections Islands (1959), The Merry Drummer (1964), and The Magnanimous Month of March (1967), are drawn from impressions from the front during World War II and from the romance of everyday life. His verse combines the highly emotional with the conversational. He writes and performs lyrical songs.

Okudzhava’s prose works include a novel about P. I. Pestel’, A Gulp of Freedom (1971; published as Poor Avrosimov in 1969), as well as a satirical novella set in the mid-19th century, Merci, or the Adventures of Shipov (1971). He has also written screenplays.

REFERENCES

Krasukhin, G. “To grusten on, to vesel on.…” In Voprosy literatury, 1968, no. 9.
Kuniaev, St. “Inertsiia akkompanementa.” In Voprosy literatury, 1968, no. 9.
Solov’ev, V. “Po chertezham svoei dushi.” In Zvezda, 1968, no. 5.
Shtorm, G. “Istoriia prinadlezhit poetu. …” In Literaturnaia gazeta, Oct. 8, 1969.
References in periodicals archive ?
The concert will feature Russian bard songs by Bulat Okudzhava and Sergey Nikitin, along with classical works by Ernest Bloch, Vytautas Barkauskas, Leos Janacek, Johann Sebastian Bach, Witold Lutoslowski, Pyotr Illich Tchaikovsky and Manuel de Falla.
Rock taught Russians to speak more freely, as singers Vysotsky and Okudzhava, and poets Voznesensky and Yevtushenko, had done a generation earlier.
Schwartz's songs based on poems by Okudzhava are romantic, often sad, sometimes humorous ballads marked by a unity of lyrics and music, a singularity of beautiful melodies and harmonies.
By the term "liberal literature," Erofeev had in mind the works of such talented contemporary authors as Yuri Trifonov (1925-81), Bulat Okudzhava (1924-97), Chingiz Aitmatov (b.
Many outstanding Transcaucasian Bolsheviks - Budu Mdivani, Mikhail Okudzhava, A.
The re-dedication ceremony included an evening of recitation and entertainment by some of Radio Liberty's most famous contributors, including poet Andrei Voznesensky and folk singer/bard Bulat Okudzhava.
The volume devoted to Bulat Okudzhava is already out -- it is over there on the shelf.
As an example, Sinyavsky re-creates a conversation with his old friend, the fellow dissident and professional protestor Bulat Okudzhava (who, like Sinyavsky, died quite recently).
Only ancient folk songs can save us, songs of World War II, one or two from the postwar period - and the songs of Okudzhava.
The recent and dizzying proliferation of breezy ditties on Russian radio is an infinitely more popular and more successful enterprise than the work of Okudzhava ever was, but the point here is missed.
As for comprehensiveness, the reader can enjoy and profit not only from the individual chapters on Pasternak, Akhmatova, Solzhenitsyn, village prose, and the lyricism of the seventies and eighties, but also from discussions of such topics as "War as a Never-Ending Theme" (with its addendum on the Afghanistan theme) and the Dichterlied or poetic song (with particular attention to the work of Galich, Okudzhava, and Vysotsky).
Through intertextuality and a detailed analysis of poetic images Ketchian establishes Akhmadulina's links with such Russian classics as Tsvetaeva, Pushkin, Lermontov, Akhmatova, Pasternak, and Annensky as well as with her contemporaries Vladimir Vysotsky and Bulat Okudzhava.