Orlando Innamorato


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Orlando Innamorato

Boiardo’s epic combining Carolingian chivalry and Arthurian motifs. [Ital. Lit.: Orlando Innamorato]
See: Epic
References in periodicals archive ?
Linnett very skillfully offers segments from Orlando Innamorato as a prelude to the characters and action depicted in various chapters.
Lodovico Ariosto s Orlando Furioso ('Raging Roland') was first published in 1516 as a continuation of the narrative in Matteo Maria Boiardo's 1495 Orlando Innamorato ('Orlando in Love).
The origins of Ariosto's poem are first seen in the French chansons de geste and later in Matteo Maria Boiardo's Orlando Innamorato.
In a crucial moment in I:26, Don Quixote associates himself with the Saracen king Agramante of Boiardo's Orlando innamorato.
3) En efecto, segun se lee en el Orlando innamorato, Reinaldos de Montalban habia arrebatado en combate lo elmo affatato, che fu de Mambrino, (4) uno de los reyes africanos contra los que luchaban los caballeros de Carlomagno.
Sacchi separates the latter into concluded (finito) and open-ended (non finito), pointing to the model provided by Boiardo's unfinished Orlando innamorato.
Everson studies Boccaccio's Il Teseida, Luigi Pulci's Morgante, Boiardo's Orlando Innamorato, and Il Mambriano by Francesco Cieco da Ferrara, and the cultural contexts in which these works were produced, in order to understand the extraordinary success of Ariosto in the sixteenth century, who 'was in a position to achieve the fullest fusion of classical-humanist and romance elements in any poem of the genre and the Orlando Furioso thus to become the best-selling work of Italian literature' (p.
Concentrating particularly on the exigencies and consequences of 'foul custom', as exemplified in the Weeping Castle of Malory's Tristram narrative, and the Castle Cruel of Boiardo's Orlando Innamorato, and casting his net as wide as Othello and King Lear, Charles Ross explores the way in which the genre of romance, in both poetry and prose, and sixteenth-century drama expressed and contested the ideological pressures of custom.
Angelica Fictional character who is beloved by Orlando (Roland) in two epic Italian poems, Matteo Maria Boiardo's Orlando innamorato (1483; Roland in Love) and Ludovico Ariosto's Orlando furioso (1516; Mad Roland).
Italian humanism and interpretive anthropology alike make an issue of how to respond to local customs, the subject of Castle Cruel in Matteo Maria Boiardo's romantic epic, Orlando Innamorato (1482).
It is just these qualities which make Orlando Furioso superior to Orlando Innamorato.
A leading figure in Carolingian legends and in Matteo Maria Boiardo 's Orlando Innamorato and Lodovico Ariosto 's Orlando Furioso.

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