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Orphism

   Also found in: Dictionary/thesaurus, Wikipedia, Hutchinson 0.09 sec.
orphism, a short-lived movement in art founded in 1912 by Robert Delaunay Delaunay, Robert (rōbĕr` dəlōnā`), 1885–1941, French painter; husband of Sonia Delaunay-Terk.
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, Frank Kupka Kupka, Frank or František
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, the Duchamp Duchamp, Marcel (märsĕl` düshäN`)
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 brothers, and Roger de la Fresnaye. Apollinaire coined the term orphism to describe the lyrical, shimmering chromatic effects that these painters sought to introduce into the drier aesthetic of cubism cubism, art movement, primarily in painting, originating in Paris c.1907.

Cubist Theory



Cubism began as an intellectual revolt against the artistic expression of previous eras.
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. Moving toward pure abstraction, the orphists saw painting as sensation. For a time their number included Léger, Picabia, Chagall, and Gliezes. The movement influenced the German Blaue Reiter Blaue Reiter, der (dĕr blou`ə rī`tər) [Ger.,=the blue rider], German expressionist art movement, lasting from 1911 to 1914.
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 group and the American synchromists Stanton Macdonald-Wright Macdonald-Wright, Stanton, 1890–1973, American artist, b. Charlottsville, Va. Macdonald-Wright was among the first Americans to paint in a totally abstract mode. Together with Morgan Russell , he founded synchromism in 1912.
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 and Morgan Russell Russell, Morgan, 1886–1953, American painter, b. New York City. Russell, together with Stanton Macdonald-Wright , founded synchromism in Paris in 1913.
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.

Orphism

Trend in Cubism that gave priority to colour. Its name, bestowed in 1912 by Guillaume Apollinaire, recalls not only the legendary Orpheus but the Symbolist painters' description of Paul Gauguin's use of colour as “Orphic art.” Among the painters who worked in this style were Robert Delaunay, Fernand Léger, Francis Picabia, and Marcel Duchamp. The best-known example is Delaunay's abstract Simultaneous Composition: Sun Disks (1912–13), in which superimposed circles of colour have their own rhythm and movement.



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Orphism appears at the very opening of the ballet sonnet in a pair of signals inviting interpretation, both having to do with the god of love.
Leger cannibalized all the movements of his time - Cubism, Futurism, Orphism, Purism, Surrealism - but succumbed to none.
On the connection between the very intangible Orphism and Pythagoras and Pythagoreanism, especially regarding the difficult issue of metempsychosis, see Burkett, 125-33, esp.
 
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