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Orphism
(redirected from Orphist)

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orphism, a short-lived movement in art founded in 1912 by Robert Delaunay Delaunay, Robert , 1885–1941, French painter; husband of Sonia Delaunay-Terk. By 1909, Delaunay had progressed from a neoimpressionist phase to cubism, applying cubist principles to the exploration of color.
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, Frank Kupka Kupka, Frank or František , 1871–1957, Czech painter, etcher, and illustrator. Kupka illustrated works by Reclus and Leconte de Lisle and an edition of Aristophanes' Lysistrata.
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, the Duchamp Duchamp, Marcel , 1887–1968, French painter, brother of Raymond Duchamp-Villon and half-brother of Jacques Villon. Duchamp is noted for his cubist-futurist painting Nude Descending a Staircase,
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 brothers, and Roger de la Fresnaye. Apollinaire coined the term orphism to describe the lyrical, shimmering chromatic effects that these painters sought to introduce into the drier aesthetic of cubism cubism, art movement, primarily in painting, originating in Paris c.1907. Cubist Theory


Cubism began as an intellectual revolt against the artistic expression of previous eras.
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. Moving toward pure abstraction, the orphists saw painting as sensation. For a time their number included Léger, Picabia, Chagall, and Gliezes. The movement influenced the German Blaue Reiter Blaue Reiter, der [Ger.,=the blue rider], German expressionist art movement, lasting from 1911 to 1914. It took its name from a painting by Kandinsky, Le cavalier bleu.
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 group and the American synchromists Stanton Macdonald-Wright Macdonald-Wright, Stanton, 1890–1973, American artist, b. Charlottsville, Va. Macdonald-Wright was among the first Americans to paint in a totally abstract mode. Together with Morgan Russell, he founded synchromism in 1912.
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 and Morgan Russell Russell, Morgan, 1886–1953, American painter, b. New York City. Russell, together with Stanton Macdonald-Wright, founded synchromism in Paris in 1913. Structuring his paintings on interlocking planes of color, Russell created volume and mass with color alone,
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Orphism

Trend in Cubism that gave priority to colour. Its name, bestowed in 1912 by Guillaume Apollinaire, recalls not only the legendary Orpheus but the Symbolist painters' description of Paul Gauguin's use of colour as “Orphic art.” Among the painters who worked in this style were Robert Delaunay, Fernand Léger, Francis Picabia, and Marcel Duchamp. The best-known example is Delaunay's abstract Simultaneous Composition: Sun Disks (1912–13), in which superimposed circles of colour have their own rhythm and movement.


Orphism 

a school of French painting that arose in the second decade of the 20th century. It was given its name in 1912 by Apollinaire. Orphism developed from cubism yet revealed a kinship to the modernist schools of futurism and expressionism. The movement’s founder and principal theorist was R. Delaunay. Other members included F. Kupka, F. Picabia, and M. Duchamp. The group sought to express the dynamics of movement and the musicality of rhythms by means of the interpenetration of primary colors and the intersection of curvilinear surfaces. The orphists very soon turned to abstractionism.



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The luminescence of color effects provided by the backlit supports--relatives of Baxter &'s light boxes--often had a surprising art-historical resonance: Expanses of deep blue and green, used at times to represent skies or seas, recalled Robert Delaunay's Orphist discs and late works by van Gogh such as Crows Over the Wheat Field, 1890.
 
 
 
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