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Paolo Uccello

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Uccello, Paolo 

(also Paolo di Dono). Born 1397 in Florence; died there Dec. 10, 1475. Italian painter of the 15th-century Florentine school.

Uccello was influenced by Donatello, F. Brunelleschi, Masaccio, and especially L. Ghiberti, in whose workshop he trained from 1407 to 1414. In addition to his years in Florence, he worked in Venice (1425–30), Padua (c. 1447), and Urbino (1465–68). Uccello’s works marvelously combine a fidelity to Gothic art and a fascination with the new, realistic style. Striving to organically integrate artistic form with scientific precision, Uccello studied plants, animals, and birds and rendered space in accordance with the rules of mathematical perspective.

Uccello’s works include heroic portraits of his contemporaries, for example, a fresco portrayal of the condottiere J. de Hawk-wood in the cathedral in Florence (1456), three dynamic, vibrant pictures depicting the battle of San Romano, which are among the earliest examples of the battle genre in modern European art (mid-1450’s; National Gallery, London, and other collections), and the charming, poetic Hunting Scene (late 1460’s; Ashmolean Museum, Oxford).

REFERENCE

Sidona, E. Paolo Uccello. Milan, 1957.


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Paolo Uccello - The Hunt in the Forest (c1470) A glorious, evocative fairytale image of huntsmen astride their scarlet-bridled horses, hunting roebuck with their yowling packs of dogs.
Giorgio Vasari's tale about how Paolo Uccello would sit at his desk late into the night, drawing obsessively, refusing his wife's entreaties to come to bed, muttering, "What a sweet mistress is this perspective," vividly describes the fascination that geometry holds for some artists.
One of the fictitious tales describes a love affair between a young beauty named Selvaggio (meaning wild in Italian) and the great Florentine painter Paolo Uccello.
 
 
 
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