Louvre(redirected from Pavillon de l'Horloge)
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Louvre(lo͞o`vrə), foremost French museum of art, located in Paris. The building was a royal fortress and palace built by Philip II in the late 12th cent. In 1546 Pierre LescotLescot, Pierre
, c.1510–1578, French Renaissance architect. Appointed by Francis I to design a new royal palace in Paris, he built the earliest portions of what was later to become the vast palace of the Louvre.
..... Click the link for more information. was commissioned by Francis I to erect a new building on the site of the Louvre. During his reign, several paintings by Leonardo, including the Mona Lisa, and works of other Italian masters came into the royal collections. In 1564, Catherine de' Medici commissioned Philibert DelormeDelorme or de l'Orme, Philibert
, c.1510–1570, French architect. Delorme was one of the greatest architects of the Renaissance in France, but unfortunately most of his work has been destroyed.
..... Click the link for more information. to build a residence at the Tuileries and to connect it to the Louvre by a long gallery. The Grande Galerie was completed in 1606 under Henri IV.
While Cardinal Richelieu collected art with state funds, work on the buildings was continued under Louis XIII. Lescot's architectural designs were expanded by Jacques LemercierLemercier, Jacques
, c.1585–1654, French architect, one of the group that evolved a classical mode of expression for French architecture. In Italy (c.1607–1614) he was strongly influenced by the architecture of Rome.
..... Click the link for more information. in 1624, and under Louis XIV the magnificent colonnade was brought to completion (1670) by Louis Le VauLe Vau, Louis
, 1612–70, French architect, involved in most of the important building projects for Louis XIV. He settled on the Île Saint-Louis, where he built his own house and the Hôtels Lambert and Lauzun.
..... Click the link for more information. and Claude PerraultPerrault, Charles
, 1628–1703, French poet. His collections of eight fairy tales, Histoires ou contes du temps passé [stories or tales of olden times] (1697) gave classic form to the traditional stories of Bluebeard, Sleeping Beauty, Cinderella, Puss in
..... Click the link for more information. . In 1750 part of the royal collections was put on view in the Luxembourg palace. The modern museum, made for the use of the French people, was a direct result of the French Revolution; the revolutionary regime passed (1791) a law that brought it into being. In 1793, in the midst of the Reign of Terror, the Musée Central des Arts was created and the Grande Galerie of the Louvre was officially opened. For many years the area beneath the Grande Galerie served as artists' studios and workshops. The museum's first collection consisted largely of works taken from aristocratic émigrés and royal academies as well as possessions of the king and his court.
Baron Dominique-Vivant DenonDenon, Dominique-Vivant, Baron
, 1747–1825, French artist, writer, and archaeologist. He had a brilliant career as an artist and diplomat during the ancien régime and followed Napoleon on his campaign in Egypt.
..... Click the link for more information. assumed the directorship of the Louvre in 1802 and his patron, Napoleon I, added vastly to its collections by his conquests, systematically looting the treasures of W Europe and Egypt and shipping them off to the museum. Under Denon's leadership the museum became the first public institution in which works of art and objects taken from other locations were displayed in a systematic and educational fashion to a large public audience. In 1803 the museum was proclaimed the Musée Napoléon, keeping that title until 1814, when Napoleon fell. Many famous works were returned after his downfall, and Denon resigned his directorship, but about half of the works taken by Napoleon's army remained in the museum. The grand architectural scheme of the Louvre that was completed by Napoleon III remained unmodified until the late 20th cent. The museum is famous for its enormous collection of Greek, Roman, and Egyptian antiquities, and for its superb old masters, a collection especially rich in works by Rembrandt, Rubens, Titian, and Leonardo. Its most famous sculptures include the Nike, or Victory, of Samothrace and the Venus of Milo. A part of the museum building houses the Museum of Decorative Arts, a private institution.
During 1984–93, the Louvre was expanded underground. A glass pyramid, designed by I. M. PeiPei, I. M.
(Ieoh Ming Pei) , 1917–, Chinese-American architect, b. Guangzhou, China. Pei emigrated to the United States in 1935 and studied at the Univ. of Pennsylvania, the Massachusetts Institute of Technology, and Harvard, where he taught from 1945 to 1948.
..... Click the link for more information. and opened in 1989, sits atop the entrance to the expansion. Pei also oversaw the extensive renovations and expansions of exhibition space that continued through the 1990s. Opened in 2012, the Islamic Gallery, designed by Italian Mario Bellini and Frenchman Rudy Ricciotti, is located within the Visconti Courtyard and is topped by a billowing golden roof that rises into, and appears to float within, the courtyard.
In 2017 the Louvre opened an overseas branch in Abu Dhabi, United Arab Emirates, on Saadiyat Island. The building, designed by architect Jean NouvelNouvel, Jean
, 1945–, French architect, grad. École des Beaux-Arts, Paris (1971). He opened his own firm in 1975, and became known for innovative techniques, the use of modern materials, and for eschewing a signature style and letting the site, intended use,
..... Click the link for more information. , features a large, low silvery dome formed of a star-shaped, stainless steel and aluminum latticework, surrounded by clusters of differently shaped waterfront galleries. The collection consists of works on loan from 17 French institutions and donations from other collections.
See R. Huyghe, ed., Art Treasures of the Louvre (1960); C. Gould, Trophy of Conquest: The Musée Napoléon and the Creation of the Louvre (1965); G. D. Regoli et al., Louvre, Paris (1968); P. Schneider, Louvre Dialogues (tr. 1971); A. McClellan, Inventing the Louvre (1994); G. B. Bauier, The Louvre (1995).