Peter Weiss


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Peter Weiss
Peter Ulrich Weiss
Birthday
BirthplaceNowawes, Brandenburg, Germany
Died

Weiss, Peter

 

Born Feb. 18, 1916, in Nowawes, near Berlin. German writer.

In 1934, Weiss’s family emigrated from Germany, and since 1939 he has lived in Sweden. Weiss has been an artist and a film director. His literary activity began with the “micronovel” entitled The Shadow of the Coachman’s Body (1960), written in the vein of the experimental French “new novel.” In his novels The Leavetaking (1961), The Vanishing Point (1962), and The Conversation of the Three Wayfarers (1963), Weiss described the adversities of émigré life. The duality of meaning in the play entitled The Persecution and Assassination of Marat As Performed by the Inmates of the Asylum at Charenton Under the Direction of the Marquis de Sade (Marat/Sade; 1964) provided the grounds for its various stage interpretations in different countries. Exhibiting an interest in a special genre, in which primary documents are reworked into fictional scenes, Weiss wrote the antifascist play The Investigation (1965; Russian translation, 1966), constructed on the basis of genuine materials from the trial of the Auschwitz criminals. In his article “Ten Working Points Held by the Author in A Divided World” (1965) Weiss concludes that only a socialist system provides “the possibility of eliminating the bad state of affairs which exists in the world.” The imperialism of the USA is exposed in the play Vietnam Discourse. A satirical depiction of present-day bourgeois society marks the play How Mr. Mockinpott Extricated Himself From His Misfortunes 1968; Russian translation, 1968). Weiss’s creative work at various phases has reflected his lack of consistent ideological and political positions. After publishing a number of progressive works in 1970 he published his play Trotsky in Exile, which is patently anti-Soviet in character.

WORKS

“Zametki o dokumentär nom teatre.” Inostrannaia literatura, 1968, no. 7.

REFERENCES

Knipovich, E. “Svideteli.” Inostrannaia literatura, 1966, no. 5.
Ginzburg. L. “’Samovyrazhenie’ i samorazoblachenie Petera Vaisa.” Literaturnaia gazeta, Apr. 1, 1970.
Rischbieter, H. P. Weiss. Velber bei Hannover, 1967.

N. V. MLECHINA

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Charlie Hyndman, GM SPO Tom McMillen, General Motors Peter Weiss, DaimlerChrysler Deb Schroeder, Toyota Engineering and Manufacturing North America Tony Minyon, Toyota Motor Sales, USA Frederiek Toney, Ford Jim Terry, DaimlerChrysler Harry Chase, Hyundai Motor Manufacturing Alabama Scott Jeffe, Volkswagen of America Michael Silvio, Cooper-Standard Automotive Bob Edge, ZF Industries Emmanuel Boudon, HBPO North America Julie Krehbiel, Union Pacific Railroad
This show's more-or-less explicit borrowings included not only Ketel One Vodka ads but also Warhol (his off-register silk-screen technique and images of knives), David Fischli and Peter Weiss (their "self-portrait" Outlaws, 1984-85, a photograph of two chairs performing a balancing act, reproduced here as a digital print on canvas), Dan Graham (a two-way-mirror wall), Jorge Pardo (designer lamps made of coconuts), and even new work by artists showing in nearby galleries, such as that other constructed uberartist Reena Spaulings (her wall-mounted flags, concurrently on view around the corner at Haswellediger).