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Phidias

   Also found in: Dictionary/thesaurus, Acronyms, Wikipedia, Hutchinson 0.01 sec.
Phidias or Pheidias (both: fĭd`ēəs), c.500–c.432 B.C., Greek sculptor, one of the greatest sculptors of ancient Greece. No original in existence can be attributed to him with certainty, although numerous Roman copies in varying degrees of supposed fidelity exist. However, the estimates of ancient writers, their descriptions of his statues, and his influence on all later sculpture have secured his fame. His greatest achievements were the Athena Parthenos at Athens and the Zeus in the temple of Olympia, both colossal figures of chryselephantine workmanship (draperies of beaten gold, flesh parts incrusted with ivory). The Athena (dedicated in the Parthenon Parthenon (pär`thənŏn) [Gr.,=the virgin's place], temple sacred to Athena, on the acropolis at Athens.
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 c.447–439 B.C.) was the chief treasure of Athens. It was destroyed in antiquity, but several copies are preserved (National Mus. of Antiquities, Athens). It was also represented on coins and gems. The Zeus (c.435 B.C.), counted as one of the Seven Wonders of the World Seven Wonders of the World, in ancient classifications, were the Great Pyramid of Khufu (see pyramid ) or all the pyramids with or without the sphinx ; the Hanging Gardens of Babylon, with or without the walls; the mausoleum at Halicarnassus; the Artemision at
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, was a majestic bearded figure seated upon a magnificently ornamented throne and wearing a mantle strewn with sculptured decorations. Terra-cotta molds, found in 1955–56 at Olympia on the site identified as Phidias' workshop, showed that the gold for the drapery had been hammered into the molds and then further decorated with glass inlays. Works of the master's younger years include a colossal bronze Athena (called the Promachos), the Athena Lemnia for the Acropolis, and a chryselephantine Athena for Pellene. Phidias has traditionally been credited with having been in charge of the Parthenon sculptures and other great works on the Acropolis, done for Pericles; but it is probable that they were made by pupils and assistants. Part of the frieze is now in the British Museum (see Elgin Marbles Elgin Marbles (ĕl`gĭn)
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).

Bibliography

See study by C. Walston (1885, repr. 1971).


Phidias

 or Pheidias

Enlarge picture
“Heracles,” marble statue produced in the workshop of Phidias, from the eastern …
(credit: Courtesy of the trustees of the British Museum; photograph, J.R. Freeman & Co. Ltd.)
(flourished c. 490–430 BC, Athens, Greece) Greek sculptor. Placed in charge of the great building program initiated by Pericles in Athens, he supervised and probably designed the overall sculptural decoration of the Parthenon. He also created its most important religious images, including the colossal statue of the Athena Parthenos (438–436 BC). Many of the Parthenon's sculptures (the Elgin Marbles) are now in the British Museum. Ancient writers considered his masterpiece to be the statue of Zeus (c. 430 BC) for the Temple of Zeus at Olympia. He initiated the idealistic Classical style that distinguishes Greek art in the later 5th and 4th centuries BC.


Phidias
5th century bc, Greek sculptor, regarded as one of the greatest of sculptors. He executed the sculptures of the Parthenon and the colossal statue of Zeus at Olympia, one of the Seven Wonders of the World: neither survives in the original

Phidias
Greek sculptor (468–432 B.C.), epitome of classical art. [Gk. Art: Benét]


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Phidias was supposed to have stolen some public gold, with the connivance of Pericles, for the embellishment of the statue of Minerva.
The guide showed us a coffee-colored piece of sculpture which he said was considered to have come from the hand of Phidias, since it was not possible that any other artist, of any epoch, could have copied nature with such faultless accuracy.
" said Michel; "you believe that they have artists like Phidias, Michael Angelo, or Raphael?
 
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