Pierre Reverdy

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Reverdy, Pierre


Born Sept. 13, 1889, in Narbonne; died June 21, 1960, near Solesmes. French poet.

Reverdy’s works are marked by a Rousseauistic and Tol-stoyan nonacceptance of the bourgeois world. His poetry written between 1916 and 1924 (Discards From Heaven, 1924) was surrealistic. Realistic tendencies predominated in the book Workers’ Labor (1949), which contains poems written in the 1930’s and during the period of the Resistance. Reverdy also wrote rhymed prose: the novel In Our Skin (1926) and the collection of short stories In the Midst of Risks and Dangers (1930). His books of philosophic and aesthetic meditations included The Hair Glove (1927), My Ship’s Log (1948), and Weighted Down (1956). Reverdy’s realism and moral fortitude during the fascist occupation made him a predecessor of P. Eluard and of progressive French poets of the period between 1940 and the 1960’s.


In Russian translation:
[Stikhi.] In Ia pishu tvoe imia, Svoboda. [Compiled by and articles about authors written by S. Velikovskii. Moscow, 1968.]


Balashov, N. I. “P’er Reverdi.” In Istoriia frantsuzskoi literatury, vol. 4. Moscow, 1963.
Rousselot, J. P. Reverdy. [Paris, 1965.]
Hommage à P. Reverdy: Témoignages, textes, documents, correspondance inédits. Paris, 1961. (Contains bibliography.)
Greene, R. W. The Poetic Theory of Pierre Reverdy. Berkeley-Los Angeles, 1967. (Bibliography on pp. 97–105.)


References in periodicals archive ?
Readers of international poetry will recognize homes that Flores built in other sorts of space, the kinds of homes he shares with Pierre Reverdy, Rene Char, Paul Klee, John Cage, and an array of other writers, artists, and musicians who elicited his admiration.
E autor de varios estudos criticos sobre escritores que marcaram o seculo XX, como Pierre Reverdy, Henri Michaux e Francis Ponge--sobre este, publicou, em 1991, o livro Francis Ponge entre mots et choses (Champ Vallon), que permanece ate hoje uma leitura de referencia.
Y al de otros amigos poetas esenciales: Francis Ponge, Pierre Reverdy, Henri Michaux.
There the paintings bore the additional designation Pour Pierre Reverdy.
Los poetas mas traducidos son Eugenio Montale, Fernando Pessoa y Wallace Stevens, a quienes acompanan autores remotos o cercanos, como Shakespeare o Cesare Pavese, William Carlos Williams, Pierre Reverdy, John Ashberry, T.
Si la lecture de Pierre Reverdy et la divergence avec le
By early 1918, Pierre Reverdy had recognized that "The more the relationship between the two juxtaposed realities is distant and true, the stronger the image will be, and it will have greater emotive power and poetic reality.
In the next room, Picasso's lithographs of the poem Le Chan t des Morts by Pierre Reverdy are punctuated by bold red strokes, lending the text a rhythmic cadence, a kind of visual choreography enhanced by an acoustic installation of Koranic recitation.
Antes de su muerte, en 1956, seran escasisimas sus intervenciones publicas, entre las que destaca el homenaje en 1949 a Pierre Reverdy, considerado por el peruano como "el mayor poeta vivo".
This article will move away from high-modernist contextualizations of Joyce and turn instead to the Parisian avant-garde movements themselves, and to one of its leading proponents in particular, Pierre Reverdy, whose place and importance are well established in France and in post-war American poetry circles, but who otherwise remains overlooked in modernism studies.
As a tribute to Pierre Reverdy, let us call it analogical thinking.