Pippin, Horace, 1888–1946, American primitive painter, b. West Chester, Pa. He worked as a porter, peddler, and warehouseman and never studied art. He was severely wounded in World War I. The naive fervor and bold design of his painting brought him recognition in the 1930s. Although his output amounted to less than 150 oils, drawings, and wood panels, he is one of the most widely acclaimed of America's "primitive" artists and was the subject of a major retrospective in 1994. Among his works in public collections are Self-Portrait (Albright-Knox Art Gall., Buffalo, N.Y.); Suppertime (Barnes Foundation, Merion, Pa.); and End of the War (Philadelphia Mus. of Art).

Pippin, Horace

(born Feb. 22, 1888, West Chester, Pa., U.S.—died July 6, 1946, West Chester) U.S. folk painter. Pippin served in the infantry in World War I, but he was wounded in 1918 and discharged with a partially paralyzed right arm. His first large canvas was an eloquent protest against war, End of the War: Starting Home (1931–34). His primary theme became the African American experience, as seen in his series entitled Cabin in the Cotton (mid 1930s) and his paintings of episodes in the lives of the antislavery leader John Brown and Pres. Abraham Lincoln. After the art world discovered Pippin in 1937, he received wide acclaim as the greatest black painter of his time.

Pippin, Horace (1888–1946) painter; born in West Chester, Pa. An African-American primitive painter who lived in West Chester, Pa., he began painting when he was 43 years old. The bold patterns of his work are seen in John Brown Going to His Hanging (1942).