new objectivity

(redirected from Post-expressionism)

new objectivity

(Ger. Neue Sachlichkeit), German art movement of the 1920s. The chief painters of the movement were George GroszGrosz, George
, 1893–1959, German-American caricaturist, draughtsman, and painter, b. Berlin. Before and during World War I he contributed drawings on proletarian themes to Illustration and other German periodicals. He was associated with the Dada group at that time.
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 and Otto DixDix, Otto,
1891–1969, German painter and draftsman. Dix fought in World War I and returned to Düsseldorf haunted by the horrors he had witnessed. In 1924 he published War, a series of 50 etchings, horrifying visions of war's victims executed with great clarity.
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, who were sometimes called verists. They created styles of bitter realism and protest that mirrored the disillusionment and political upheaval that followed World War I. New objectivity retained the intense emotionality of earlier movements in German art (see BrückeBrücke, Die
[Ger.,=the bridge], German expressionist art movement, lasting from 1905 to 1913. Influenced by the art of Jugendstil (the German equivalent of art nouveau), Van Gogh, and the primitive sculpture of Africa and the South Seas, the Brücke
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 and Blaue ReiterBlaue Reiter, der
[Ger.,=the blue rider], German expressionist art movement, lasting from 1911 to 1914. It took its name from a painting by Kandinsky, Le cavalier bleu.
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), but it abandoned the symbolism of expressionismexpressionism,
term used to describe works of art and literature in which the representation of reality is distorted to communicate an inner vision. The expressionist transforms nature rather than imitates it.
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 for direct social commentary. Max BeckmannBeckmann, Max
, 1884–1950, German painter. A member of the Berlin secession from 1908 to 1911, he was impressionistic in his early style. A subsequent expressionistic phase was altered c.1917 by the savage new objectivity of George Grosz.
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 produced works in a related, though more philosophical, vein.

Bibliography

See S. Barron and S. Eckmann, New Objectivity (museum catalog, 2015).

References in periodicals archive ?
The Expressionist elements of The Rainbow have been described in detail by Jack Stewart, Harvey Schvey, and others, but the resemblance between Post-Expressionism and Women in Love has received less attention, partly because the styles of the two novels are often conflated (Stewart 6, Schvey 125).
Roh explains that Post-Expressionism sustains a tension between "the forms of the spirit and the very solidity of objects" (22).
Essays on particular artists are gathered into topical categories such as post-expressionism and animism, the origins of geometric abstraction or concrete art, new figuration, existential sculpture, art as social criticism, art and language, ugly realism, graphic arts, reflexion on art and science, young Belgian painting 1845-48, informal art, neo-symbolism, kinetic art and op art, arte povera, installation art, ceramics, and art and feminism.
Devillez describes an impoverishment that turned general opinion away from the progressive and towards the post-expressionism defined by Georges Marlier, marking a return to traditional composition and the human commonplace.