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Pozzo, Andrea dal

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Pozzo, Andrea dal (ändrĕ`ä däl pŏt`tsō), 1647–1709, Italian painter. Pozzo was a Jesuit priest and leading exponent of the baroque baroque (bərōk`), in art and architecture, a style developed in Europe, England, and the Americas during the 17th and early 18th
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 style. He was celebrated for his bold foreshortening and quadratura perspective perspective, in art, any method employed to represent three-dimensional space on a flat surface or in relief sculpture. Although many periods in art showed some progressive diminution of objects seen in depth, linear perspective, in the modern sense, was probably
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, in which the lines of focus begin at the corners of the work and converge at a central vanishing point. Pozzo painted church ceilings (e.g., Sant' Ignazio in Rome, 1688) with seemingly endless heavenly vistas. His illusionism illusionism, in art, a kind of visual trickery in which painted forms seem to be real. It is sometimes called trompe l'oeil [Fr.,=fool the eye]. The development of one-point perspective in the Renaissance advanced illusionist technique immeasurably.
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 influenced Solimena and Tiepolo and his treatise on perspective (1692–97) spread understanding of his techniques throughout Europe.


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