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prelude

   Also found in: Dictionary/thesaurus, Idioms, Wikipedia, Hutchinson 0.21 sec.
prelude (prā`ld), musical composition of no universal style, usually for the keyboard. It was originally used to precede a ceremony and later a second, often larger piece. Early preludes represent the first example of idiomatic keyboard music. During the baroque period the prelude formed the first movement of suites and fugues. The most widely known preludes, those written for the piano by Frédéric Chopin, Claude Debussy and Aleksandr Scriabin, are independent works with no introductory function.

prelude

Musical composition, usually brief, generally played as an introduction to another piece. The prelude originated as short pieces that were improvised by an organist to establish the key of a following piece or to fill brief interludes in a church service. Their improvisatory origins were often reflected in rhythmic freedom and virtuosic runs. A section in this style would often lead to a closing fugal section; in time this turned into a separate movement, and preludes came to be paired with fugues. In the 17th century, preludes began to be frequently written for lute or harpsichord. In later years the term came to be used for short piano pieces, often in sets, by composers such as Frédéric Chopin, Aleksandr Scriabin, and Claude Debussy.


prelude
a. a piece of music that precedes a fugue, or forms the first movement of a suite, or an introduction to an act in an opera, etc.
b. (esp for piano) a self-contained piece of music


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Brilliant performance of prelude to the Judge's song in "Trial by Jury" by nervous Pianist.
The Communists turn their attention chiefly to Germany, because that country is on the eve of a bourgeois revolution that is bound to be carried out under more advanced conditions of European civilisation, and with a much more developed proletariat, than that of England was in the seventeenth, and of France in the eighteenth century, and because the bourgeois revolution in Germany will be but the prelude to an immediately following proletarian revolution.
So far her improvement was sufficient -- and in many other points she came on exceedingly well; for though she could not write sonnets, she brought herself to read them; and though there seemed no chance of her throwing a whole party into raptures by a prelude on the pianoforte, of her own composition, she could listen to other people's performance with very little fatigue.
 
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