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Primitive |
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primitive (1) In computer graphics, a graphics element that is used as a building block for creating images, such as a point, line, arc, cone or sphere.(2) In programming, a fundamental instruction, statement or operation. See machine instruction. (3) In microprogramming, a microinstruction, or elementary machine operation. See microcode. primitive 1. Anthropol denoting or relating to a preliterate and nonindustrial social system 2. Biology a. of, relating to, or resembling an early stage in the evolutionary development of a particular group of organisms b. another word for primordial 3. showing the characteristics of primitive painters; untrained, childlike, or naive 4. Geology pertaining to magmas that have experienced only small degrees of fractional crystallization or crystal contamination 5. Obsolete of, relating to, or denoting rocks formed in or before the Palaeozoic era 6. Protestant theol of, relating to, or associated with a minority group that breaks away from a sect, denomination, or Church in order to return to what is regarded as the original simplicity of the Gospels 7. a. an artist whose work does not conform to traditional, academic, or avant-garde standards of Western painting, such as a painter from an African or Oceanic civilization b. a painter of the pre-Renaissance era in European painting c. a painter of any era whose work appears childlike or untrained 8. a work by such an artist 9. Maths a curve, function, or other form from which another is derived primitive [′prim·əd·iv] (computer science) A sketchy specification, omitting details, of some action in a computer program. (control systems) A basic operation of a robot, initialized by a single command statement in the program that controls the robot.
Primitive originally, a work of art from the early period of the evolution of art. The concept of the “primitive” arose from the juxtaposition, characteristic of 18th- and 19th-century aesthetics and art studies, of “childish” and “mature” stages in the development of art. It was believed, especially beginning in the 18th century, that primitive art could be attractive by virtue of the wholeness and seeming simplicity of its pictorial organization. These features emerged most strongly when primitive works were compared with works representing the prevailing styles. In modern art studies, the designation “primitive” has entirely lost all judgmental overtones and is purely a name. It is applied to works by late medieval artists (for example, the Italian primitives), to the art of peoples who have retained features of primitive communal society (this concept of primitive art, however, has currency only in foreign scholarship), to the work of artists who have not received systematic artistic training, and to the work of the representatives of primitivism. REFERENCESPrevitali, G. La Fortuna dei primitivi dal Vasari ai neoclassici. Turin, 1964.Venturi, L. Il gusto dei primitivi. Turin, 1972. Want to thank TFD for its existence? Tell a friend about us, add a link to this page, add the site to iGoogle, or visit the webmaster's page for free fun content. |
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