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printmaking |
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printmakingArt form consisting of the production of images, usually on paper but occasionally on fabric, parchment, plastic, or other support, by various techniques of multiplication, under the direct supervision of or by the hand of the artist. Such fine prints are considered original works of art, even though they can exist in multiple copies. The major techniques are relief printing, where the background is cut away, leaving a raised image; intaglio printing, where the image is incised directly into the plate; surface printing such as lithography, where the image is painted or drawn onto a stone; and stencil printing, where the design is cut out and printed by spraying paint or ink through the stencil. The history of printmaking parallels the history of art and is one of the oldest art forms. Though he had several predecessors, the first important engraver was a 15th-century German, Martin Schongauer. In the 16th century Albrecht Dürer created prints of the highest quality, and in the 17th century the etchings of Rembrandt were especially fine. Japanese printmaking originated in the 17th century with the ukiyo-e school of woodcuts; the best-known artists were Hokusai and Hiroshige. Important 18th-century Western artists who made prints include William Hogarth, Francisco Goya, and Giambattista Piranesi. Among the works of 19th-century printmakers, those of Honoré Daumier and of many of the French Impressionists are notable. Experimentation in new styles and new directions proliferated in the 20th century, with artists from the century's major movements—including Expressionism, Surrealism, Pop art, Minimalism, and Neo-Expressionism—all pursuing printmaking. See also engraving; etching; mezzotint; woodcut. Want to thank TFD for its existence? Tell a friend about us, add a link to this page, add the site to iGoogle, or visit the webmaster's page for free fun content. |
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No references found | 43 Z240 Unusual in a scholarly work, this account of prints and printmaking in 16th-century Rome contains at the center an extended account of the rivalry, perfidy, theft, confrontations, and even a drowning that occurred among some of the city's printmakers. Northern Print director Anna Wilkinson said: "Introducing people to the joys of contemporary prints and printmaking is what we're all about, so this gift is the best way we could think of to thank Ward Hadaway for their much-appreciated help and support in acquiring our new premises. He clearly explains the varied types of prints and printmaking, and how to properly frame a piece. |
Prints and Printmaking |
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