Qasida


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Qasida

 

a poetic genre in the literature of the peoples of the Middle East and Central and South Asia.

The qasida is a panegyric ode in praise of an influential person. Its formal characteristics are considerable size (from 20 to 200 bayts), a single end rhyme (aa, ba, ca, da…), and three-part composition. According to medieval canon, the qasida opens with the nasib, or lyrical prelude, in which the author mourns his separation from his beloved. It is followed by a description of the poet’s journey to the figure being praised. The main, and last, part is the poet’s tribute. Philosophical qasidas developed in the 11th and 12th centuries. The fact that the mention of an influential person is indispensible and often coupled with dates and historical events makes qasidas an important historical source. The most outstanding masters of the genre were the Arab poets Imru al-Qays (sixth century) and Abu Tammam (ninth century), the Persian-Tajik poets Unsuri and Anvari (11th century), and the Azerbaijani poet Khagani (12th century).

REFERENCES

Krachikovskii, I. Iu. “Arabskaia poeziia.” Izbr. soch., vol. 2. Moscow, 1956.
Bertel’s, E. E. Istoriia persidsko-tadzhikskoi literatury. Moscow, 1960.

N. B. KONDYREVA

References in periodicals archive ?
Her approach relies on the research on the qasida by Julie Meisami, who, from her Medieval Persian Court Poetry (Princeton, 1987, esp.
Anvari was accused of libel on Balkh people and was infuriated by them, after that, he refuged to Hamid al-din in a Qasida and survived due to his steadfastness.
84], who said in a qasida entitled, Nahj al-Dimatha: "wa a'dala dhu-l-tasbi'i mubhama qasdihi // fa-zalla bihi al-jammu al-ghafiru fa-jahila" i.
The daughter of this place sings qasida, a ghazal, But what spoils her strange verses, my song?
But the older generations want us to continuously play qasida.
Esmail Al Muqabali, Mohammad Al Habsi, Mukhtar Al Hinai, Ali Al Muqabali, Ahmad Al Kharusi and Bassam Abu Qasida were also taken to the Sumayil Hospital after their sugar levels dropped during the strike.
His complete works, Kulliaat, consist of six dewans,containing 13,585 couplets comprising all kinds of poetic forms: ghazal, masnavi, qasida, rubai, mustezaad, satire, et cetera.
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The preferred poetic form of the jahiliyya was the qasida (ode),
Here, I would like to describe three literary models, three ancient paradigmatic forms--the katabasis, the qasida, and the arabesque--that appear to have emerged out of specific topologies or ground conditions of a region that has served as a conduit between the East and the West for thousands of years.
Rather this poetry is written, printed, often published; it frequently takes the form of high Arabic, and adopts classical forms, such as the qasida (ode); it receives authorial attributions of various kinds, and is to a large extent considered part and parcel of the Arab poetic tradition.
to be original in poetry, to use emotionally moving meanings, arresting images, and profound, thought-provoking wisdom - sometimes moves poets to write verse without traditional rhyme and meter, and sometimes restrains them so that they again turn to the forms of the conventional qasida, ghazal, rubai, and dubayti.