Queneau


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Queneau

Raymond . 1903--76. French writer, influenced in the 1920s by surrealism. His novels include Zazie dans le m?tro (1959)
References in periodicals archive ?
manuscript at Duras's behest, he bumped into Queneau on his way out
Como se puede apreciar, los carteles estan situados en el mismo orden que aparece en el texto de Queneau.
7) In line with Queneau and Sen (2010), we also utilize the gender unemployment gap, as measured by the difference between the female and male unemployment rates ([u.
Pour l'unite verbale reprocher le caractere processuel et le semantisme orientent les options de Queneau vers l'axe des connotations.
Menos brilhante e o ensaio sobre Queneau ("Raymond Queneau e il gusto del paradosso", pp.
Topics in this volume include a portrait sketch, a tribute, and articles on working with Wright, as well as pieces on aspects of Wright's literary translation (such as writing in erudite delirium and completing UBU ROI in a brilliant debut), having fun with language and making new friends, working on variations on a theme by Raymond Queneau, translating Becket and Pinget's Le Chrysantheme, concern over the strangulation of language, doing brilliant archival work, and making all the difference in the quality of her translated film scripts.
or, to put it another way, if Raymond Queneau defined the comic novel as a novel that smiled and disdained death, and instead Flaubert is mocking life and laughing out loud and simply despising death, where does that leave us?
Klossowski, Queneau, Caillois, Blanchot, mas tambem Char, Lacan, Michaux, Giacometti, Prevert .
En la novela el autor incluye epigrafes de Cernuda, Cioran, Leonard Cohen, Macedonio Fernandez, Monique Lange u Octavio Paz, Raymond Queneau y Ramon Gomez de la Serna.
The Oulipo, whose name is an acronym for the French ouvroir de litterature potentielle, was founded in 1960 by writer Raymond Queneau and engineer Francois Le Lionnais, who together perfectly embodied the aims of the group.
This book is an engaging study for scholars of contemporary fiction and film, specifically those interested in the works of Jean Echenoz, Raymond Queneau, Jean-Philippe Toussaint, and their literary and cinematographic colleagues.
Is it fair of the author to disregard Iris Murdoch, a confidante of Raymond Queneau, as a middlebrow entertainer'?