Quentin Massys

Massys, Quentin


(also Q. Metsys). Born 1465 or 1466, in Louvain (?); died 1530, in Antwerp. Flemish painter.

Massys became a member of the Antwerp painters’ guild in 1491. He was influenced by Rogier van der Weyden, D. Bouts, and A. Dürer. In his triptychs, which made him famous—including the St. Anne Altarpiece (1507-09), Museum of Ancient Art, Brussels) and the Lamentation of Christ (1508-11, Royal Museum of Fine Art, Antwerp)—stiff and somewhat two-dimensional composition is combined with lively characterizations of persons and bright color schemes. Some of Massys’ works, for example, Virgin and Child (National Museum, Poznan) and the extremely grotesque Portrait of an Elderly Man (1513, Jacquemart André Museum, Paris), reveal his familiarity with the work of Leonardo da Vinci. His liking for realism, which at times conflicted with Late Gothic tendencies, led Massys to paint genre pictures with an implied moral content, for example, The Money Changer and His Wife (1514, the Louvre, Paris). In a similar vein, he painted portraits, some of which, such as the paired portraits of Erasmus of Rotterdam (1617, National Gallery [Palazzo Corsini], Rome) and of Petrus Egidius (1517, Longford Castle, England), bear witness to the master’s spiritual affinity with humanist circles.


Boon, K. G. Quinten Massys. Amsterdam, 1957.
Friedlander, M. Early Netherlandish Painting, vol. 6 (Quinten Massys). Leiden-Brussels, 1971.


References in periodicals archive ?
The find of the fair was made by the Geneva-based Paul Smeets when he came upon an anonymous Flemish gold ground Mater Dolorosa in an Italian private collection last year, now identified pretty well conclusively as a work by Quentin Massys of around 1510.
1) is a copy of a lost work by the Flemish painter Quentin Massys (also called Matsys or Metsys; 1465/6-1530).
AI1 they miss out on by foregoing the Italian text, apart from a chance to practice their Italian reading skills, is its bright cover illustration reproduced from a well-known sixteenth-century painting by Quentin Massys of money changers at work.
Some of the artists to look for are Martin Schongauer, Quentin Massys and Hieronymus Bosch.
It is good to have the thirteen figures that are scattered throughout the text, but Sacks could have made the nature of Erasmian humanism clearer had he chosen the Hampton Court version of Erasmus's portrait from the diptych by Quentin Massys, rather than the Palazzo Barbarini ("Corsini") version, which lacks the inscriptions on the books and the script on the work Erasmus is shown writing (25).
The Stadel-Kunstinstitut possesses only twenty-nine early Netherlandish paintings, yet these include masterworks by Robert Carnpin, Jan van Eyck, Rogier van der Weyden, Petrus Christus, Dirk Bouts, Hugo van der Goes, Hans Memling, Gerard David, Hieronymus Bosch, Quentin Massys, Joos van Cleve, and Jan van Scorel, among others, a veritable pantheon of the region's greatest talent.
Examples of works shown in the paintings, such as a version of the Madonna and Child by Quentin Massys that Van der Geest shows to the Archdukes, are also exhibited.
The result was that the thinly painted surfaces seem to glow, almost like oil-stained water--and very much like the art of early masters of oil painting who worked in Holland, Flanders and Germany, such as Martin Schongauer, Quentin Massys and Hieronymus Bosch.