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Roberto Rossellini

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Rossellini, Roberto 

Born May 8, 1906, in Rome; died there June 3, 1977. Italian film director.

Together with F. De Robertis, Rossellini directed the militarist films White Ship (1941), The Pilot Comes Back (1942), and Men of the Cross (1942). However, in them he also concentrated on the sufferings caused by war and sought to make the films true to life. In 1945 he directed Open City, devoted to wartime resistance in Rome. The film, which was permeated with a spirit of antifascist unity and with heroic inspiration, became a manifesto of neorealism. Also of importance was Rossellini’s antifascist film P aisan (1946), which was tragic in tone.

In the late 1940’s and early 1950’s, Rossellini directed several films that dealt with moral degradation, including Germany Year Zero (1948), Europa 51 (1951), and Where Is Liberty? (1952). Religious and mystical motifs emerged in his films Francesco, Minstrel of God (1950) and Stromboli (1950). An upsurge of the democratic movement helped Rossellini overcome a creative crisis. He directed India (1958) and a number of films in which he returned to patriotic and antifascist subject matter, including General Delia Rovere (1959), It Was Night in Rome (1960), and Viva l’Italia (1961), which dealt with the campaigns of G. Garibaldi.

In the mid-1960’s, Rossellini worked in television. He made a number of general-educational historical films for television, including The Rise of Louis XIV, Socrates, and Pascal. These films remained outside the main current of progressive Italian cinematography, and in particular outside the “political cinema,” a trend that began in the late 1960’s. In 1975, Rossellini directed the feature film Year One, which depicted the country’s postwar political climate in a distorted manner.

REFERENCE

Ferrara, G. Novoe ital’ianskoe kino. Moscow, 1959. (Translated from Italian.)

G. D. BOGEMSKII



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This movie marks the comeback of Ingrid Bergman after her scandalous affair with Italian director Roberto Rossellini and it is obvious why she won an Oscar for the role.
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With hints of thriller-style cinema thrown in, Almodovar's film alludes to his own earlier movies those of directors he admires, such as Roberto Rossellini.
 
 
 
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