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Barthes, Roland
(redirected from Roland Barthes)

   Also found in: Wikipedia, Hutchinson 0.01 sec.
Barthes, Roland (rôläN` bärt), 1915–80, French critic. Barthes was one of the founding figures in the theoretical movement centered around the journal Tel Quel. In his earlier works, such as Writing Degree Zero (tr. 1953) and Mythologies (1957, tr. 1972), he argued that literature, like all forms of communication, is essentially a system of signs. As such, he argued that it encodes various ideologies or "myths," to be decoded in terms of its own organizing principles or internal structures. He was strongly influenced by the linguist Ferdinand de Saussure, and his ideas, as expressed in works such as S/Z (1970, tr. 1974) and Empire of Signs (1970, tr. 1982), became more eclectic. Barthes has had an enormous influence on American literary theory.

Bibliography

See studies by J. Culler (1983), P. Lombardo (1989), and M. B. Wiseman (1989).


Barthes, Roland (Gérard)

(born Nov. 12, 1915, Cherbourg, France—died March 25, 1980, Paris) French social and literary critic. His early books examined the arbitrariness of the constructs of language and applied similar analyses to popular-culture phenomena. He analyzed mass culture in Mythologies (1957). On Racine (1963) set off a literary furor, pitting him against more traditional French literary scholars. His later contributions to semiotics included the even more radical S/Z (1970); The Empire of Signs (1970), his study of Japan; and other significant works that brought his theories wide (if belated) attention in the 1970s and helped establish structuralism as one of the leading intellectual movements of the 20th century. In 1976 he became the first person to hold the chair of literary semiology at the Collège de France.



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The program was Gloria, O Rangasayee, and Championship Wrestling after Roland Barthes, and it just blew me away.
In the above quotation, Roland Barthes (1915-80)--a phenomenologist of sorts, here a phenomenologist of amorous yearning--finds, like Levinas, that to embrace the beloved is to embrace the unknown.
If the writings of Bazin make it possible for my students to rediscover themselves as believers, the writings of Roland Barthes afford me an opportunity to render explicit a notion implicit in my conversations with students thus far: theory is not divorced from feeling and personal experience.
 
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