Roland Dorgelès

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Dorgelès, Roland

 

(pseudonym of Roland Lecavelé). Born June 15, 1886, in Amiens. French writer.

Dorgelès fought in World War I, which he condemned in the “trench” novel Wooden Crosses (1919; Russian translation, 1925) and in the cycle of realistic novellas The Pretty Girl’s Cabaret (1919). He recounted the poverty and lack of rights in the colonies in the journalistic works The Mandarins’ Road (1925; Russian translation, 1926), and Caravan Without Camels (1928). He visited the USSR but judged what he saw in a biased manner, in the spirit of bourgeois liberalism (the book of essays Long Live Freedom!, 1937). As a war correspondent, Dorgelès was a witness to the defeat and fascist occupation of France (the journalistic works Identity Card, 1945, and The Strange War of 1939-1940, 1957). Dorgelès slavishly imitated E. Zola and G. de Maupassant in the novels Everything Is Sold (1956) and Down With Money! (1965); his criticism of the evils of property culminated in his preaching the morality of humility and of “honorable poverty” (the essay An Open Letter to a Billionaire, 1967). Dorgelès has been a member of the Académic Goncourt since 1929 and its president since 1955.

WORKS

Au Beau Temps de la butte. Paris, 1963.
In Russian translation:
Probuzhdenie mertvykh. Leningrad, 1924.
Mashina dlia prekrashcheniia voiny. Leningrad [1926]. (With R. Giniaux.)
Ekhat’. Leningrad, 1927.

REFERENCES

Rykova, N. Sovremennaia frantsuzskaia literatura. Leningrad, 1939.
Istoriia frantsuzskoi literatury, vol. 4. Moscow, 1963.

V. P. BALASHOV

References in periodicals archive ?
Like other critics of the time, Roland Dorgeles was struck by the daring boldness of her work--deemed uncharacteristic for a female painter--writing, "Charmy, it appears, sees like a woman and paints like a man" (31).
Four authors are listed including Roland Dorgeles, so the authorship remains ambiguous.
Mission management for the rehabilitation of the residence Les Micocouliers (327 units) - Roland Dorgeles Boulevard - 13014 Marseille - France
Novelist Roland Dorgeles wrote a description of the situation in Cahors in June 1940 that gives some sense of the scale of the problem local officials had to face:
Among the sites that figure in the action of Rendezvous Eighteenth, the square Roland Dorgeles on the corner of rue des Saules and rue Saint-Vincent may be the most picturesque.
Une autre biographie dont on peut mettre en question les methodes de recherche est celle de Micheline Dupray sur Roland Dorgeles (Dupray, Avant-propos).