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Polanski, Roman
(redirected from Roman Polanski)

   Also found in: Wikipedia, Hutchinson 0.04 sec.
Polanski, Roman, 1933–, Polish-French film director, b. Paris. His family returned to Kraków, Poland, when he was three. His parents were imprisoned in Nazi concentration camps and his mother died at Auschwitz, but Polanski, living partly on his own, escaped the Holocaust. He began to act after the war and later (1954–59) studied filmmaking in Łódź, where he made a number of notable shorts, e.g., Two Men and a Wardrobe (1958). His first feature-length work, the Polish-language Knife in the Water (1962), a sexually charged psychological drama, brought him international acclaim. From his earliest efforts and throughout his career, Polanski has exhibited a taste for dramatic situations presented with a cool lack of sentimentality and marked by unexpected violence and a sense of irony, black humor, and isolation and dread. Moving to England, he made three films, the best known of which is the intense, erotic, and terrifying Repulsion (1965).

Polanski went on to Hollywood in 1968 and that year made his American debut with the horror classic Rosemary's Baby, his greatest commercial success. In 1969 his pregnant wife, Sharon Tate, and a group of their friends were murdered by members of the Charles Manson "family." Subsequently, Polanski settled in France but returned to the States to make the award-winning noir detective thriller Chinatown (1974). After pleading guilty to statutory rape in 1977, he fled (1978) back to France, where he had become (1976) a citizen, before sentencing, and has not returned to the United States. He later made a number of films including Tess (1980), based on a Thomas Hardy Hardy, Thomas, 1840–1928, English novelist and poet, b. near Dorchester, one of the great English writers of the 19th cent.

The son of a stonemason, he derived a love of music from his father and a devotion to literature from his mother.
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 novel; the thriller Frantic (1988); the erotically compelling Bitter Moon (1992); and Death and the Maiden (1994), based on an Ariel Dorfman Dorfman, Ariel (äryĕl` dôrf`män), 1942–, Chilean novelist, playwright, essayist, and journalist, b. Argentina.
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 play. After a few largely forgettable films, he directed The Pianist (2002), a brooding, intimate, and fear-haunted drama based on the true story of a Holocaust survivor, for which Polanski received an Academy Award. He also has acted in and written screenplays for a number of his films.

Bibliography

See his autobiography, Roman (1984); biographies by T. Kiernan (1981) and V. W. Wexman (1985); studies by I. Butler (1970), B. Leaming (1981), J. Parker (1993), and D. Bird (2001); A. Corcetti, dir., Roman Polanski: Reflections of Darkness (TV documentary, 2000).


Polanski, Roman

(born Aug. 18, 1933, Paris, France) Polish-French film director. He grew up in Poland and survived a traumatic wartime childhood under the Nazis. His first feature film, Knife in the Water (1962), brought him international fame. He left Poland that year for Britain, where he made Repulsion (1965), and later the U.S., where his Rosemary's Baby (1968) was highly successful. In 1969 his new wife, the actress Sharon Tate, was murdered by followers of Charles Manson. He directed a graphic adaptation of Macbeth (1971) and the acclaimed film noir Chinatown (1974). In 1977 Polanski was arrested and eventually pleaded guilty to a charge of statutory rape. He subsequently jumped bail and fled to France, where he remained active in both the theatre and motion pictures. His subsequent films include Tess (1979), Frantic (1988), Bitter Moon (1992), Death and the Maiden (1994), and The Pianist (2002), which won the Gold Palm for best film at the Cannes International Film Festival and earned a best director Academy Award for Polanski.



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Roman Polanski waited decades after fleeing a warrant for pedophilia before he finally snagged, in absentia, his Best Director statue for ``The Pianist.
Specially attention is devoted to the "Bollywood" cinema of India, art house cinema of France, the British comedy, Japanese crime films, and Mexican horror films, as well as the specific contributions of such directors as Bernardo Bertolucci, Pedro Almodovar, Akira Kurosawa, Roman Polanski, and others.
For almost half a century Roman Polanski has been blurring the line between the real and unreal.
 
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