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Romanesque architecture

   Also found in: Dictionary/thesaurus, Wikipedia, Hutchinson 0.03 sec.

Romanesque architecture

Architecture current in Europe from about the mid-11th century to the advent of Gothic architecture. A fusion of Roman, Carolingian and Ottonian, Byzantine, and local Germanic traditions, it was a product of the great expansion of monasticism in the 10th–11th century. Larger churches were needed to accommodate the numerous monks and priests, as well as the pilgrims who came to view saints' relics. For the sake of fire resistance, masonry vaulting began to replace timber construction. Romanesque churches characteristically incorporated semicircular arches for windows, doors, and arcades; barrel or groin vaults to support the roof of the nave; massive piers and walls, with few windows, to contain the outward thrust of the vaults; side aisles with galleries above them; a large tower over the crossing of nave and transept; and smaller towers at the church's western end. French churches commonly expanded on the early Christian basilica plan, incorporating radiating chapels to accommodate more priests, ambulatories around the sanctuary apse for visiting pilgrims, and large transepts between the sanctuary and nave.



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The building also has elements of Moderne and Romanesque architecture, which also tend to emphasize the use of light colors.
Stanford's conservative groves of academe are dominated by nineteenth-century Romanesque architecture, with which Predock's idiosyncratic sensibility and arcane references (UFOs, geology) might seem at odds.
The artist's formative interest in Byzantine and Egyptian sculpture and Romanesque architecture, as well as an early and enduring involvement with work by many of the great European Moderns who were still alive at midcentury, cannot be overemphasized.
 
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