Romanian literature


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Romanian literature,

the literature of Romania. Until the 16th cent. most writing by Romanians was in Slavonic. In 1541 a catechism in Romanian was issued at Sibiu, and from 1560 liturgical works were published in Romanian to meet the needs of the local Calvinist Church. Translations of the legend of Alexander the Great appeared c.1600, and in 1673 the Moldavian Bishop Dositheiu published the first volume of poetry in Romanian, a verse translation of the Psalms. Early historical works were the Moldavian Chronicle of Miron Costin (1633–91) and the famous Moldo-Wallachian Chronicle (1710) of Demetrius Cantemir (1673–1723).

Starting with the Chronicle, a movement gained force to emphasize the Latin as opposed to the Slavic elements in Romanian culture. The mainspring of this movement was Ion Eliade (1802–72), known as Radulescu, and its outcome was a dictionary of the Romanian language produced (1871–76) by August Laurianu et al., in which all words of non-Latin origin were eliminated. In 1860 Latin replaced Cyrillic as the official Romanian alphabet (the church used the Cyrillic until 1890); 1860 thus marks the beginning of modern Romanian literature.

Vasile AlecsandriAlecsandri, Vasile
, 1821–90, Romanian poet, dramatist, and statesman. He was (1858) provisional foreign minister and subsequently served in various diplomatic posts.
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's ballad Little Lamb (1852) marked a first effort to counteract the strong French influence on Romanian literature. Drama gained importance in the time of Eliade and George Asachi (1788–1869), cofounders (1833–36) of the Romanian national theater. Other outstanding names in drama are Ion Luca CaragialeCaragiale, Ion Luca
, 1853–1912, Romanian playwright and author. Romania's foremost dramatist, his works sharply satirized Romanian society. His masterpiece, A Lost Letter (1884), describes a provincial government election won by a blackmailer.
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, a master of the comedy of manners; Ronetti Roman (1853–1908), author of the tragedy Manasse (1900), dealing with the conflict of Jews and Christians in Romania; Victor Eftimiu, who experimented with poetic drama; and Lucian Blaga.

Poetry flourished after Titu Maiorescu (1840–1917) founded (1867) the cosmopolitan journal Convorbiri literare [literary conversations] at Jassy in Moldavia, and soon began to publish the lyrics of Mihail EminescuEminescu, Mihail
, 1850–89, Romanian poet. Eminescu is considered the foremost Romanian poet of his century. His poems, lyrical, passionate, and revolutionary, were published in periodicals and had a profound influence on Romanian letters.
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. The peasant and folk traditions were collected and preserved by the historian Nicolae Iorga (1871–1940). In poetry this school produced George Cosbuc (1866–1918) and in prose Ion Slavici (1848–1945), who collected native tales, and Ion Creanga (1837–89), a pioneer in the field of the novel.

Themes of social concern were treated by Alexandru Vlahuta (1858–1919) in the novel Dan (1894) and by Duiliu Zamfirescu (1858–1922) in Country Life (1894). The contrast between rural and urban life was detailed in the realistic novels Dinu Millian by Constantin Mille and Parasites (1893) by Barbu Delavrancea (1858–1919). From the "back to the soil" movement in Romanian letters came the novel Ion (1920) by Liviu Rebreanu, known also for his novel of World War I, The Forest of the Hanged (1922). Major Romanian poets of the 20th cent. include Dimitrie Anghel (1872–1914) and Octavian Goga (1881–1938), an outspoken and often partisan advocate of Transylvania.

Under the Ceauşescu regime (1965–89), postwar Romanian writing reflected a strong Communist influence. Nevertheless, after 1968 an independent movement emerged, subjected to great pressure in the years before Ceauşescu's overthrow. Along with the exiled writers Mircea EliadeEliade, Mircea
, 1907–86, American philosopher and historian of comparative religion, b. Bucharest. He studied Indian philosophy and Sanskrit at the Univ. of Calcutta (1928–31) and taught history of religion and metaphysics in Bucharest (1933–39).
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, Eugene IonescoIonesco, Eugène
, 1912–94, French playwright, b. Romania. Settling in France in 1938, he contributed to Cahiers du Sud and began writing avant-garde plays. His works stress the absurdity both of bourgeois values and of the way of life that they dictate.
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, and Emil Cioran, the novelist Mihail Sadoveanu and the poets Tudor Arghezi and Mihai Beniuc are the most notable modern Romanian literary figures. Some significant younger writers are the novelists Zaharia Stancu, Marin Preda, Titus Popovici, and Norman Manea and the poets Veronica Porumbacu, Alexandu Jar, and Maria Banusi.

Bibliography

See E. D. Tappe, Rumanian Prose and Verse (1956); J. Steinberg, ed., Introduction to Rumanian Literature (1966).

References in periodicals archive ?
Author's profile: Nicoleta Ifrim teaches Romanian literature at Dunarea de Jos University of Galati.
Personality traits in Romanian literature today Poets Fiction Critics/ Control writers Biographers group Anxiety (in 96) 72 58 48 36 Extraversion (in %) 24 29 32 66 (Intrinsic) motivation 91 83 17 (in %) Openness to experience 71 82 77 66 (in %) Note: Table made from bar graph.
As the last century was ending, Cesereanu said in casual conversation that the trouble with Romanian literature was that there were too many poets.
It is the earliest ethical treatise in Romanian literature and a testimony to his wide knowledge, reading and proficiency in foreign languages.
Romanian literature is under the spotlight in this year's fair, the 34th edition of the event, slated for Nov.
In romanian literature, the first case of OPK has been described in 2009 [23].
Romanian literature only approached the topic accidentally or in a very subdued manner.
While a student of Lucian Blaga, Sebastian was the Vice President of ASTRA (Transylvanian Association for Romanian Literature and Romanian Culture).
It is a highly important attempt to evaluate Romanian literature through the lens of narcotic existentialism as a source of inspiration for writers.
In this sense, and taking a cue from the way Gramsci understand hegemony in "Hegemony of Western Culture over the Whole World Culture," (3) a most Hegelian document, the operation of globalization of Romanian literature should not be understood as an instance of the periphery's cultural subordination to the core.
The intention of our research is to individualize a core of literary characters, themes and places with a sense--to which to add, by extending the investigation are, others that are built on similar patterns, to provide an archive of eponymy in Romanian literature from which to build a dictionary (alphabetically).
Dimkovska has so far authored a number of literary works that have been translated into English, German, Slovenian, Polish, Slovak, Bulgarian and Romanian and for which she has won a number of international awards, including the German Hubert Burda Poetry Award, and the Romanian literature prizes Poesis and Tudor Arghezi, and was nominated for the German Berlin Bridge Prize.
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