Rousseau, Henri

Rousseau, Henri (äNrē` rsō`), 1844–1910, French primitive painter, b. Laval. He was entirely self-taught, and his work remained consistently naive and imaginative. Rousseau was called Le Douanier [the customs officer] because he held a minor post in the Paris customs service for more than 20 years before he retired to paint (1893). Although he claimed to have lived in Mexico in his youth, he later admitted that the claim was false. The only tropical vegetation Rousseau ever saw was in Parisian greenhouses, and his remarkable landscapes had no counterpart in nature. His painted jungles are an organized profusion of carefully defined yet fantastic plants, half-concealing various wild animals with startlingly staring eyes. These scenes are rendered in a vivid, almost hypnotic folk style. The finest ones include The Snake Charmer (1907; Louvre) and The Dream (1910; Mus. of Modern Art, New York City). With the same approach Rousseau employed in painting the familiar (e.g., Village Street Scene, 1909; Philadelphia Mus. of Art), he painted the haunting and dreamlike Sleeping Gypsy (1897; Mus. of Modern Art, New York City). His fantastic Gypsy sleeps in a nighttime desert, closely observed by a lion—the entire absurdity rendered in a compelling, straightforward manner. The painting thus combines the unique elements of Rousseau's art to their most startling effect. Rousseau exhibited at the Salon des Indépendants from 1886, but did not become well known until the early years of the 20th cent. when he was "taken up" by Picasso, Apollinaire, and other members of the Parisian avant garde.

Bibliography

See R. Shattuck, The Banquet Years (1958, repr. 1968); studies by D. Vallier (1964), D. C. Rich (1946, repr. 1970), G. Adriani (2001), and F. Morris, C. Green, and N. Ireson, ed. (2006).

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Rousseau, Henri

 known as Le Douanier Rousseau

(born May 21, 1844, Laval, Fr.—died Sept. 2, 1910, Paris) French painter. After service in the army, he began working as a toll collector (not as a douanier, or customs officer, the epithet his friends later used) but found time to paint and draw. Completely self-taught, he exhibited some early paintings, including Carnival Evening, at the Salon des Indépendants in 1886. Like his later works, it is typical of naive art: everything is drawn literally, the clouds look solid, and the costumes receive more attention than the figures themselves. It nonetheless achieves a striking mood and mystery. In 1893 he retired to devote himself to painting, and in 1894 his War won him his first recognition by the avant-garde. His best-known works are richly coloured images of lush jungles, wild beasts, and exotic figures. He exhibited The Hungry Lion with the Fauves in 1905. He died a pauper; only after his death was his greatness recognized.