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Sappho

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Sappho (săf`ō), fl. early 6th cent. B.C., greatest of the early Greek lyric poets (Plato calls her "the tenth Muse"), b. Mytilene on Lesbos. Facts about her life are scant. She was an aristocrat, who wrote poetry for her circle of friends, mostly but not exclusively women. She may have had a daughter. The term lesbian (see homosexuality homosexuality, a term created by 19th cent. theorists to describe a sexual and emotional interest in members of one's own sex. Today a person is often said to have a homosexual or a heterosexual orientation, a description intended to defuse some of the long-standing
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), her presumed sexual orientation, is derived from the name of her island home, Lesbos. The ancients had seven or nine books of her poetry (the first book originally consisted of 330 Sapphic stanzas). Only fragments survive; the longest (seven stanzas) is an invocation to Aphrodite asking her to help the poet in her relation with a beloved woman. She wrote in Aeolic dialect in a great many meters, one of which has been called, after her, the Sapphic. Her verse is a classic example of the love lyric, and is characterized by her passionate love of women, a love of nature, a direct simplicity, and perfect control of meter. She influenced many later poets, e.g., Catullus Catullus (Caius Valerius Catullus) , 84? B.C.–54? B.C., Roman poet, b. Verona. Of a well-to-do family, he went c.62 B.C. to Rome. He fell deeply in love, probably with Clodia, sister of Cicero's opponent Publius Clodius.
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, Ovid Ovid (Publius Ovidius Naso) , 43 B.C.–A.D. 18, Latin poet, b. Sulmo (present-day Sulmona), in the Apennines. Although trained for the law, he preferred the company of the literary coterie at Rome.
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, and Swinburne Swinburne, Algernon Charles, 1837–1909, English poet and critic. His poetry is noted for its vitality and for the music of its language. After attending Eton (1849–53) and Oxford (1856–60) he settled in London on an allowance from his father.
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.

Bibliography

See translations by M. Barnard (1962), W. Barnstone (1965), G. Davenport (1965, 1980, 1995), S. Q. Groden (1967), P. Roche (1999), A. Carson (2002), and S. Lombardo (2002); studies by D. L. Page (1965, repr. 1979) and A. P. Burnett (1955, repr. 1983).


Sappho

(flourished 610–c. 570 BC, Lesbos, Asia Minor) Greek lyric poet. Although legends about her abound, little is known of her life. She was born on the island of Lesbos and became the leader of a thiasos, an informal female community, whose purpose was the education of young women, especially for marriage. The principal themes of her poetry are personal and reflect the activities and atmosphere of the thiasos. Her writing, mostly vernacular and not formally literary, is concise, direct, picturesque, and various. It includes nuptial songs and an expression of her love for other women, which produced the word lesbian (from the island's name). Though she was much admired in antiquity, most of her work was lost by the early Middle Ages; only an ode to Aphrodite—28 lines long—is complete.


Sappho
6th century bc, Greek lyric poetess of Lesbos

Sappho (c. 620–c. 565 B. C.)
lyric poet sometimes called the “tenth muse.” [Gk. Lit.: Benét, 896–897]
See : Poetry

Sappho 

(Psappho), a Greek poet of the first half of the sixth century B.C. Born and lived on the island of Lesbos.

Sappho wrote principally about the love and the beauty of women friends, about mutual affection and the sorrow of separation, and about the wedding ritual and the parting words spoken to a bride. In her poetry, traditional motifs are supplemented by personal experiences. Sappho wrote in the Aeolian dialect, in a style very close to the colloquial language of the time. Varying combinations of long and short syllables give her verse rhythmic diversity. Several complete poems and many fragments of Sappho’s works are known, chiefly from discoveries of papyruses.

WORKS

Poetarum Lesbiorum fragmenta. Edited by E. Lobel and D. Page. Oxford, 1955.
In Russian translation:
In Ellinskie poety. Translated by V. V. Veresaev. Moscow, 1963.

REFERENCES

Iarkho, V., and K. Polonskaia. Antichnaia lirika. Moscow, 1967. Pages 49–52.
Bowra, C. M. Greek Lyric Poetry. Oxford, 1961.


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Sappho (that was her name) fetched a high price, even when she was no longer young.
She gulped down the Ode to Aphrodite during the Litany, keeping herself with difficulty from asking when Sappho lived, and what else she wrote worth reading, and contriving to come in punctually at the end with "the forgiveness of sins, the Resurrection of the body, and the life everlastin'.
after all, it is not imagined Greece, dreamy, antique Sicily, but the present world about us, though mistakable for a moment, delightfully, for the land, the age, of Sappho, of Theocritus:--
 
 
 
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