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theatre
(redirected from Schauspielhaus)

   Also found in: Wikipedia, Hutchinson 0.01 sec.

theatre

Building or space in which performances are given before an audience. It contains an auditorium and stage. In ancient Greece, where Western theatre began (5th century BC), theatres were constructed in natural hollows between hills. The audience sat in a tiered semicircle facing the orchestra, a flat circular space where the action took place. Behind the orchestra was the skene. The theatres of Elizabethan England were open to the sky, with the audience looking on from tiered galleries or a courtyard. During this period the main innovation was the rectangular thrust stage, surrounded on three sides by spectators. The first permanent indoor theatre was Andrea Palladio's Olimpico Theatre in Vicenza, Italy (1585). The Farnese Theatre in Parma (1618) was designed with a horseshoe-shaped auditorium and the first permanent proscenium arch. Baroque European court theatres followed this arrangement, elaborating on the interior with tiered boxes for royalty. Richard Wagner's Festspielhaus in Bayreuth, Ger. (1876), with its fan-shaped seating plan, deep orchestra pit, and darkened auditorium, departed from the Baroque stratified auditorium and reintroduced Classical principles that are still in use. The proscenium theatre prevailed in the 17th–20th centuries; though still popular in the 20th century, it was supplemented by other types of theatre, such as the thrust stage and theatre-in-the-round. In Asia, stage arrangements have remained simple, with the audience usually grouped informally around an open space; notable exceptions are the no drama and kabuki of Japan. See also amphitheatre; odeum.


theatre

Live performance of dramatic actions in order to tell a story or create a spectacle. The word derives from the Greek theatron (“place of seeing”). Theatre is one of the oldest and most important art forms in cultures worldwide. While the script is the basic element of theatrical performance, it also relies in varying degrees on acting, singing, and dancing, as well as on technical aspects of production such as stage design. Theatre is thought to have its earliest origins in religious ritual; it often enacts myths or stories central to the belief structure of a culture or creates comedy through travesty of such narratives. In Western civilization, theatre began in ancient Greece and was adapted in Roman times; it was revived in the medieval liturgical dramas and flourished in the Renaissance with the Italian commedia dell'arte and in the 17th–18th centuries with established companies such as the Comédie-Française. Varying theatrical forms may evolve to suit the tastes of different audiences (e.g., in Japan, the kabuki of the townspeople and the no theatre of the court). In Europe and the U.S. in the 19th and early 20th centuries theatre was a major source of entertainment for all social classes, with forms ranging from burlesque shows and vaudeville to serious dramas performed in the style of the Moscow Art Theatre. Though the musicals of Broadway and the farces of London's West End retain their popular appeal, the rise of television and movies has eroded audiences for live theatre and has tended to limit its spectators to an educated elite. See also little theatre.


theatre (US), theater
1. 
a. a building designed for the performance of plays, operas, etc.
b. (as modifier): a theatre ticket
2. a room in a hospital or other medical centre equipped for surgical operations
3. plays regarded collectively as a form of art
4. the theatre the world of actors, theatrical companies, etc.
5. writing that is suitable for dramatic presentation
6. US, Austral, NZ the usual word for cinema
7. a circular or semicircular open-air building with tiers of seats
http://vl-theatre.com
www.theatrelinks.com
www.uktw.co.uk
www.artslynx.org/theatre


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Dissonant at first glance, Poelzig's work--industrial buildings before World War I; the expressive, fantastic forms such as the Grosses Schauspielhaus in Berlin (1919); the stage sets made between 1920 and 1923; and, finally, the more economically executed and functional residential and office projects of "Studio Poelzig," which he ran with his second wife, Marlene, in the '20s--defies any facile categorization.
By the time Schinkel had built his Schauspielhaus in Berlin (1818-21), the Greek Revival had emerged as the acceptable form of architecture parlante for major public buildings.
But it is nevertheless difficult to dismiss his actions, which have included provocations of bourgeois theater audiences by putting real neo-Nazis on the stage (as at the Schauspielhaus Zurich), public performances with homeless people in Hamburg, and an ongoing collaboration with a group of mentally handicapped actors.
 
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