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Schnitzler, Arthur

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Schnitzler, Arthur (är`tr shnĭts`lər), 1862–1931, Austrian dramatist and novelist. The son of a prominent Jewish Viennese physician, he studied and practiced medicine until he attracted critical notice with his drama Anatol (1893, tr. 1982), a cycle of one-act plays concerning a philanderer. He followed a similar format in La Ronde (1900, tr. 1982), a cycle of plays about related sexual liaisons, which later served as inspiration for a 1950 Max Ophuls Marcel Ophüls, 1929–, also a French film director, is known for his searing documentaries. In his most acclaimed film, The Sorrow and the Pity (1970), he explored the World War II collaboration of French citizens and their complicity in the Holocaust.
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 film and a 1998 David Hare Hare, David, 1947–, British playwright. Hare is a prominent member of the British theatrical left. A founder of the Portable Theatre and the Joint Stock, he became resident dramatist and literary manager of the Royal Court Theatre, London (1967–71), and
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 drama. Schnitzler's plays, novellas, and novels of fin-de-siècle Vienna are distinguished by their sparkling wit, brilliant style, and clinical observations of human psychology and social disintegration. His concern is with individual happiness, his approach is subtle and amoral, his tone unsentimental and ironic, and his dramatic problems often focused on love and sexual faithfulness. Among his more significant dramas are Liebelei (1895, tr. The Reckoning, 1907); The Lonely Way (tr. 1915), on artistic dedication; The Vast Domain (1911, tr. 1923); and Professor Bernhardi (tr. 1928) a tragedy about anti-Semitism. Of his novels, The Road to the Open (1908, tr. 1923) is autobiographical; he also wrote several novellas and numerous short stories.

Bibliography

See biography by S. Liptzin (1932); studies by B. Schneider-Halvorson (1983), P. W. Tax and R. H. Lawson, ed. (1984), and P. Gay (2001).


Schnitzler, Arthur

(born May 15, 1862, Vienna, Austria—died Oct. 21, 1931, Vienna) Austrian playwright and novelist. Schnitzler practiced medicine in Vienna most of his life, and he also studied psychiatry. He became known for his psychological dramas and for his fearlessness in depicting the erotic lives of his characters, beginning with the early play Anatol (1893). His best-known play, Reigen (Merry-Go-Round, 1897), was a cycle of 10 dramatic dialogues that traced the links connecting the partners in a series of sexual encounters; considered scandalous when first performed in 1920, it was filmed as La Ronde by Max Ophüls in 1950. His drama Playing with Love (1896) and his most successful novel, None but the Brave (1901), revealed the hollowness of the Austrian military code of honour.



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