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Sebastiano Serlio

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Serlio, Sebastiano 

Born Sept. 6, 1475, in Bologna: died 1554 in Fontainebleau. Italian architectural theorist.

During the first stage of his career, from 1511 to 1514, Serlio was a master of perspective painting. He studied architecture under B. Peruzzi in Rome from 1514 to approximately 1527 and also worked in Pesaro and Venice and, beginning in 1541, in France. Serlio wrote a treatise on geometry, perspective, and classical and modern buildings and columns. The work, published serially from 1537 to 1575, became well known throughout Europe. The separate books were brought together in a Venetian edition entitled Architecture (1584). Serlio’s treatise influenced the development of Renaissance and early classical architecture in France, the Netherlands, and Germany.

WORKS

Tutte l’opere d’architettura et prospetiva. [Ridgewood, N. J., 1964.]

REFERENCE

Argan, C. C. Dal Bramante at Canova. Rome, 1970. Pages 45–60.


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Building upon Hart and Hicks's earlier translation of Sebastiano Serlio on Architecture, Palladio's Rome further animates the architect's five "cultural pilgrimages" to Rome between 1541 and 1554, with his Vicentine humanist patrons, Giangiorgio Trissino and Daniele Barbaro.
Bertani's theater followed by only a decade the theater that Sebastiano Serlio had erected in a palace in Vicenza in 1539.
The Renaissance theorist Sebastiano Serlio was responsible for the dissemination of the new concept of theatrical space that reinforced the idea that the stage represented a whole city of which the playing area may only have been a street or a square.
 
 
 
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