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Propertius, Sextus(sĕk`stəs prōpûr`shəs), c.50 B.C.–c.16 B.C., Roman elegiac poet, b. Umbria. He was a member of the circle of MaecenasMaecenas
(Caius Maecenas) , d. 8 B.C., Roman statesman and patron of letters. He was born (between 74 B.C. and 64 B.C.) into a wealthy family and was a trusted adviser of Octavian (Augustus), who employed Maecenas as his personal representative for various political missions.
..... Click the link for more information. . A master of the Latin elegy, he wrote with vigor, passion, and sincerity.
See translations by C. Carrier (1963) and J. Warden (1972); studies by M. Platnauer (1951) and D. R. S. Bailey (1956).
Born circa 50 B.C., in Asisium, now Assisi; died circa 15 B.C., in Rome. Roman poet.
The basic theme of Propertius’ love elegies (there are 92, in four books) is an anguished, sorrowful passion for the beloved. The later concepts of the elegy and of what was elegiac developed under Propertius’ influence. The theme of love in his works was eventually replaced by mythological subjects and by idealization of a traditional way of life and of the valor of the ancient Romans. In addition, the theme of conjugal love and fidelity appeared in his love elegies.
Propertius’ style is marked by sharp shifts of thought and mood, deliberate ambiguity of expression, and an abundance of mythological details and allusions. His works influenced Ovid and many other Roman poets of the first century A.D. In the Middle Ages he was forgotten, and interest in him revived only in the age of Petrarch. In Russia, the poets K. N. Batiushkov, A. N. Maikov, and A. A. Fet were influenced by Propertius.
WORKSSexti Propertii elegiarum, vols. 1–4. Edited by M. Schuster. Leipzig, 1954.
In Russian translation:
In the collection Valerii Katull, Al’bii Tibull, Sekst Propertsii. Moscow, 1963.
REFERENCESIstoriia rimskoi literatury, vol. 1. Edited by S. I. Sobolevskii [et al.]. Moscow, 1959.
Tronskii, I. M. Istoriia antichnoi literatury, 3rd ed. Leningrad, 1957.
Boucher, J. P. Etudes sur Properce: Problèmes d’inspiration et d’art. Paris, 1965.