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short story, brief prose fiction. The term covers a wide variety of narratives—from stories in which the main focus is on the course of events to studies of character, from the "short short" story to extended and complex narratives such as Thomas Mann's Death in Venice. Most often the short story is restricted in character and situation and is concerned with creating a single, dynamic effect. Its length usually falls between 2,000 and 10,000 words. Short stories date back to earliest times; they can be found in the Bible, Gesta Romanorum Gesta Romanorum , medieval collection of Latin stories. Although the title means "Deeds of the Romans," the tales have very little to do with actual Roman history. Each tale is characterized by a moral. The earliest manuscript dates from the 14th cent.
..... Click the link for more information. of the Middle Ages, Boccaccio's Decameron, and Chaucer's Canterbury Tales. The modern short story is said to have begun in the 19th cent. with the works of Edgar Allan Poe Poe, Edgar Allan, 1809–49, American poet, short-story writer, and critic, b. Boston. He is acknowledged today as one of the most brilliant and original writers in American literature. ..... Click the link for more information. and Guy de Maupassant Maupassant, Guy de , 1850–93, French novelist and short-story writer, of an ancient Norman family. He worked in a government office at Paris and became known c.1880 as the most brilliant of the circle of Zola. ..... Click the link for more information. . Notable among the exponents of the form are Henry James James, Henry, 1843–1916, American novelist and critic, b. New York City. A master of the psychological novel, James was an innovator in technique and one of the most distinctive prose stylists in English. He was the son of Henry James, Sr. ..... Click the link for more information. , O. Henry O. Henry, pseud. of William Sydney Porter, 1862–1910, American short-story writer, b. Greensboro, N.C. He went to Texas in 1882 and worked at various jobs—as teller in an Austin bank (1891–94) and as a newspaperman for the ..... Click the link for more information. , E. T. A. Hoffmann Hoffmann, Ernst Theodor Amadeus , 1776–1822, German romantic novelist and composer, a lawyer. At one time an opera composer and musical director at Bamberg and a gifted music critic, he is most famous as a master of the gothic tale. ..... Click the link for more information. , Chekhov Chekhov, Anton Pavlovich , 1860–1904, Russian short-story writer, dramatist, and physician, b. Taganrog. The son of a grocer and grandson of a serf, Chekhov earned enduring international acclaim for his stories and plays. ..... Click the link for more information. , Kafka Kafka, Franz , 1883–1924, German-language novelist, b. Prague. Along with Joyce, Kafka is perhaps the most influential of 20th-century writers. From a middle-class Jewish family from Bohemia, he spent most of his life in Prague. ..... Click the link for more information. , D. H. Lawrence Lawrence, D. H. (David Herbert Lawrence), 1885–1930, English author, one of the primary shapers of 20th-century fiction. Life The son of a Nottingham coal miner, Lawrence was a sickly child, devoted to his refined but domineering mother, who ..... Click the link for more information. , Katherine Mansfield Mansfield, Katherine, 1888–1923, British author, b. New Zealand, regarded as one of the masters of the short story. Her original name was Kathleen Beauchamp. A talented cellist, she did not turn to literature until 1908. ..... Click the link for more information. , Sherwood Anderson Anderson, Sherwood, 1876–1941, American novelist and short-story writer, b. Camden, Ohio. After serving briefly in the Spanish-American War, he became a successful advertising man and later a manager of a paint factory in Elyria, Ohio. ..... Click the link for more information. , Ernest Hemingway Hemingway, Ernest, 1899–1961, American novelist and short-story writer, b. Oak Park, Ill. one of the great American writers of the 20th cent. Life The son of a country doctor, Hemingway worked as a reporter for the Kansas City Star ..... Click the link for more information. , Katherine Anne Porter Porter, Katherine Anne, 1890–1980, American author, b. Indian Creek, Tex. Although she published infrequently, she is regarded as a master of the short story. ..... Click the link for more information. , John O'Hara O'Hara, John, 1905–70, American novelist and short-story writer, b. Pottsville, Pa. He worked at a number of jobs and ultimately became a newspaperman before the appearance of his first novel, Appointment in Samarra (1934). ..... Click the link for more information. , Flannery O'Connor O'Connor, Flannery (Mary Flannery O'Connor), 1925–64, American author, b. Savannah, Ga., grad. Women's College of Georgia (A.B., 1945), Iowa State Univ. (M.F.A., 1947). ..... Click the link for more information. , J. D. Salinger Salinger, J. D. (Jerome David Salinger) , 1919–, American novelist and short-story writer, b. New York City. Salinger depicts the loneliness and frustration of individuals caught in a world of banalities and restricting conformity. ..... Click the link for more information. , John Cheever Cheever, John, 1912–82, American author, b. Quincy, Mass. His expulsion from Thayer Academy was the subject of his first short story, published by the New Republic when he was 17. ..... Click the link for more information. , John Updike Updike, John, 1932–, American author, b. Shillington, Pa., grad. Harvard, 1954. His novels and stories, written in a well-modulated prose of extraordinary beauty and dazzling fluidity, usually treat the tensions and frustrations of middle-class life, often ..... Click the link for more information. , Donald Barthelme Barthelme, Donald , 1931–89, American writer, b. Philadelphia. In his short stories and novels, Barthelme describes a world so unreal that traditional modes of fiction can no longer encompass it. ..... Click the link for more information. , and Raymond Carver Carver, Raymond, 1938–88, American short-story writer, b. Clatskanie, Oreg. He was raised in the Pacific Northwest, where he often set his sparely written tales of everyday blue-collar life. ..... Click the link for more information. . BibliographySee W. Allen, The Short Story in English (1981); G. Weaver, The American Short Story (1983); C. A. Moser, ed., The Russian Short Story (1986); J. Updike and K. Kenison, ed., The Best American Short Stories of the Century (1999). short storyBrief fictional prose narrative. It usually presents a single significant episode or scene involving a limited number of characters. The form encourages economy of setting and concise narration; character is disclosed in action and dramatic encounter but seldom fully developed. A short story may concentrate on the creation of mood rather than the telling of a story. Despite numerous precedents, it emerged only in the 19th century as a distinct literary genre in the works of writers such as E.T.A. Hoffmann, Heinrich Kleist, Edgar Allan Poe, Prosper Mérimée, Guy de Maupassant, and Anton Chekhov. Short Story (in Russian, novella), a small-scale, narrative literary genre, comparable in length to the story (rasskaz) and, consequently, sometimes identified with it, but differing from it in origin, history, and structure. As the Russian word novella indicates, the genre “is nothing other than an as yet unheard-of event” (Goethe). In poeticizing an incident, the short story exposes the heart, the central peripeteia of the plot to its limit, reducing the material of life to the focus of a single event. Unlike the story—the new literary genre of the late 18th and early 19th centuries that emphasized the verbal crafting of the narrative and gravitated toward highly developed descriptions— the short story is the art of plot creation in its purest form, an art that originated in remote antiquity in close connection with ritual magic and myths and that addressed itself primarily to human action. The short story plot, which is built on situational antitheses and sharp transitions between them, is a type of plot widely found in many folkloric genres, including the fairy tale, the fable, the medieval anecdote, the fabliau, and the Schwank. The literary short story emerged during the Renaissance in Italy, where the most brilliant example of the genre was G. Boccaccio’s Decameron. Later, the genre appeared in England, France, and Spain (Chaucer, Marguerite d’angoulê me, and Cervantes). Renaissance realism, which revealed the elementally free self-definition of the individual in a world pregnant with change, took shape in the comic and the didactic short story. As it continued to evolve, the short story became differentiated from similar genres, such as the story (rasskaz) and the tale, by its tendency to depict extraordinary and sometimes paradoxical and supernatural events, breaks in the chain of sociohistorical and psychological determinism. The short story flowered in the romantic era in the works of L. Tieck, H. von Kleist, E. T. A. Hoffmann, P. Mérimée, and E. Poe, as well as in the early works of N. V. Gogol, absorbing the cult of the tragic, ironic play of chance, which destroys the fabric of everyday life. During the late stage of critical realism (the works of G. de Maupassant, A. P. Chekhov, L. Pirandello, S. Anderson, I. A. Bunin, and S. Zweig), the short story was associated with the revelation of the closed worlds in a society characterized by alienation. Often, short stories were written in fatalistic or grotesque tones. In the modernistic short story (for example, F. Kafka’s works), chance is fetishized and viewed as the blind power of fate, which smashes all human hopes. In Soviet literature, the short story was a particularly fruitful genre during the 1920’s (I. Babel’, Iu. Olesha, Vs. Ivanov, M. Zoshchenko, and V. Kataev). It captured the atmosphere of the life of the people under the pressure of revolution, as well as the sharp shifts in people’s everyday life and psychology. From a different point of view, the short story is categorized as the polar opposite of the ocherk (literary sketch), which is often nonfictional. REFERENCESFreidenberg, O. Poetika siuzheta i zhanra. Leningrad, 1936.Eikhenbaum, B. M. “O’Genri i teoriia novelly.” In his collection Literatura. Leningrad, 1927. Vygotskii, L. S. Psikhologiia iskusstva, 2nd ed. Moscow, 1968. Pages 187–208. Novelle. Edited by J. Kunz. Darmstadt, 1968. Malmede, H. H. Wege zur Novelle: Theorie und Interpretation der Gattung Novelle in der deutschen Literaturwissenschaft. Stuttgart-Berlin-Cologne-Meinz, 1966. M. N. EPSHTEIN Want to thank TFD for its existence? Tell a friend about us, add a link to this page, add the site to iGoogle, or visit the webmaster's page for free fun content. |
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