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Signac, Paul
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Signac, Paul (pōl sēnyäk`), 1863–1935, French neoimpressionist painter. First influenced by Monet, he was later associated with Seurat Seurat, Georges (zhôrzh sörä`), 1859–91, French neoimpressionist painter.
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 in developing the divisionist technique. Interested in the science of color, he painted with a greater intensity and with broader strokes than Seurat. In such vigorous, colorful works as Port of St. Tropez (1916; Brooklyn Mus., New York City) Signac broke through the confines of neoimpressionist theory. He wrote a treatise, D'Eugène Delacroix au néo-impressionisme (1889), long considered the foremost work on the school.

Bibliography

See study by his granddaughter, Françoise Cachin (tr. 1973).


Signac, Paul

(born Nov. 11, 1863, Paris, Fr.—died Aug. 15, 1935, Paris) French painter. At 18 he gave up architecture to pursue painting in the Impressionist manner. In 1884 he became a founder of the Salon des Indépendants. With Georges Seurat he developed an exact mathematical system of applying dots of colour, which they called Pointillism (see Neo-Impressionism). He traveled extensively along the European coast painting landscapes and seascapes; in his later years he painted street scenes of Paris and other cities. He was a master of watercolour, in which he achieved great brilliance of colour and a free, spontaneous style. His work had a great influence on Henri Matisse.


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land not the love of the 'dot,' as foolish people say," wrote painter Paul Signac in his journal (1).
For example, even before beginning to digest works by Signac, Cezanne, van Gogh, Gauguin, Seurat, and the Fauves in the first room, the Mercedes T.
From inside, the Venissieux townscape becomes a Pointillist backdrop - Paul Signac rather than Georges Seurat.
 
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