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Simplicissimus

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Simplicissimus
from callowness to audacity on 17th-century battlefields. [Ger. Lit.: Simplicissimus]

Simplicissimus 

(Most Guileless), a German illustrated weekly journal, founded in 1896.

Simplicissimus’ approach was keenly satirical; the journal denounced imperial Germany and its aggressive foreign policy. Simplicissimus printed lampoons by F. Wedekind and works by H. Mann, K. Tucholsky, H. Hesse, A. Zweig, and A. Schnitzler. Another effective weapon utilized by the journal was its political caricatures, which were later frequently reprinted in Die Rote Fahne, the organ of the Communist Party of Germany.

Early in World War I (1914-18) Simplicissimus took a defensive position and advocated peace among classes. In 1942 the journal was closed down for printing a caricature of Hitler. An attempt to revive Simplicissimus in the Federal Republic of Germany did not succeed.

REFERENCES

Istoriia nemetskoi literatury, vol. 4. Moscow, 1968. Pages 307, 312, 313, 447,460.
Jegorov, O. “Die satirische Zeitschrift ‘Simplicissimus’: 1896-1914.” Junge Kunst, Berlin, 1960, no. 11.


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Simplicius Simplicissimus, Karl Amadeus Hartmann's only opera, is one of the neglected masterpieces of 20th-century music.
THE GERMAN satirical magazine Simplicissimus (1896-1944), like its contemporaries Die Fackel in Austria and L'Assiette au beurre in France, used black humor to discuss the political and social issues of the times--in the case at hand, the differing approaches to colonialism by various European nation-states.
IN 1925, when nineteen-year-old Klaus Mann had gained fame as the author of a scandalous play, a cartoon by Theodor Heine appeared in the Munich satirical magazine Simplicissimus.
 
 
 
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