Six Dynasties

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Six Dynasties,

period of Chinese history between the fall of the Han dynasty (A.D. 220) and the unification of China under the Sui dynasty (A.D. 589). It is named for the six successive dynasties that appeared in S China during the period: the Wu (222–80), the Eastern Ch'in (317–419), the Liu-Sung (420–79), the Southern Ch'i (479–502), the Liang (502–57), and the Ch'en (557–89). Although a time of severe political disunion, the period of the Six Dynasties was marked by much originality in art, literature, and thought.
References in periodicals archive ?
IN 2007 workers digging up land for a new Ikea store in Nanjing, south-east China, destroyed 10 ancient tombs dating back 1,800 years to the Six Dynasties period.
269-97) are both concerned with the Six Dynasties period in China.
Iran has witnessed six dynasties during the last 500 years - Safavid, Afsharid, Zand, Qajar, Pahlavi, and Theocracy (Revolution).
The tombs belong to Eastern Han, the Six Dynasties, Tang, Song, Ming and Qing dynasties.
Prosperity of the six dynasties has passed, just as spring has quietly slipped away.
Apart from having been the capital of China for six dynasties, Nanjing has also served as a national hub of education, research, transportation and tourism throughout history.
The capital of six dynasties and the Republic of China in the first half of the 20th century, Nanjing - known as the southern capital - is Beijing's ancient counterpart.
Among the highlights from Blue Elephant (Maastricht) are a Burmese bronze of a standing buddha with a green patina, dating from the 10th-12th century; a Chinese Ming dynasty carving in wood of a buddhist monk; and two Chinese terracotta figures, one of a lohan in a cave from the 19th-century Qing dynasty and another of an ox, measuring 37 cm in height, from the Six Dynasties period, 220-589.
during the turmoil of the Six Dynasties period when northern China was rulled by non-Chinese "barbarians," and southern China, where T'ao Ch'ien lived, was ruled by successive tyrants.
He loves reading Cao Xue-Qin's Dream of the Red Chamber, Sima Qian's Autobiography, Li Ling's Letter in Reply to Su Wu, Tao Yuan-Ming's Going Home and Goethe's Faust, reciting classical poetry from Qin, Han and Six Dynasties, and quoting famous remarks by Wen Tian-Xiang, Yuan Zhen, Han Yu, and so on.
One would thus hope for a Chinese translation of Beacon Fire and Shooting Star, as this might contribute significantly to an increased recognition of the Six Dynasties and the Liang in China itself.
The remaining papers are organized into two sections, the first of which is on historical and ritual traditions and contains papers discussing Daoism in the 3rd century, the Old Lord's scripture of the chanting of the commandments, the contributions of Six Dynasties Daoism to the formation of the image of the Heavenly Master Zhang Daoling, and debates on imperial ritual in early medieval China and the emergence of Daoist ritual schemata.