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Smith, Bessie |
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Smith, Bessie, 1894–1937, American singer, b. Chattanooga, Tenn. About 1910 Smith became the protégée of Gertrude (Ma) Rainey, one of the earliest blues singers. After working in traveling shows she went to New York City, where she made (1923–28) recordings, accompanied by such outstanding artists as Louis Armstrong, Fletcher Henderson, and James P. Johnson. She quickly became the favorite singer of the jazz public. The power and somber beauty of her voice, coupled with songs representing every variety of the blues, earned her the title "Empress of the Blues." Around 1928, changing popular taste and her growing alcoholism led to a decline in her popularity. Though she continued to tour, her last years were embittered. She died after an automobile accident while on tour in Mississippi, the circumstances of which are discussed in Edward Albee's play The Death of Bessie Smith (1960). Numerous critics regarded her as the greatest of all jazz artists, and her fame increased enormously after her death.
BibliographySee biography by C. Albertson (rev. ed. 2003). Smith, Bessieorig. Elizabeth Smith(born April 15, 1898?, Chattanooga, Tenn., U.S.—died Sept. 26, 1937, Clarksdale, Miss.) U.S. blues and jazz singer. Smith sang popular songs as well as blues on the minstrel and vaudeville stage. She began recording in 1923 and appeared in the film St. Louis Blues (1929). Her interpretations represent the fully realized transition of the rural folk tradition of the blues to its urbane structure and expressiveness. A bold, supremely confident artist with a powerful voice and precise diction, she became known as “Empress of the Blues.” Smith was the most successful African American entertainer of her time. She died from injuries sustained in a car crash, and it was said that, had she been white, she would have received earlier medical treatment and her life might have been saved; the actual circumstances of her treatment remain obscure.Smith, Bessie (1895–1937) vocalist; born in Chattanooga, Tenn. Beginning her career in the minstrel show of her mentor, Ma Rainey, between 1923–33 she toured extensively throughout the U.S.A. and recorded prolifically. Known as "Empress of the Blues," she established prototypes for both classic female blues singing and the hard-lived life associated with it. |
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