For example, Nathaniel Lee's Sophonisba
, or Hannibal's Overthrow, acted 1675, treats material handled earlier in John Marston's The Wonder of Women, or The Tragedy of Sophonisba
, acted 1605, and Thomas Nabbes's Hannibal and Scipio, acted 1636.
In addition to Maciste, several other of the film's supporting characters are emphatically racialized--from the sly Jewish innkeeper to the eroticized Carthaginian princess Sophonisba
1) Gian Giorgio Trissino, Sophonisba
(1515), in Two Italian Renaissance Tragedies, ed.
Meanwhile, a number of social work educators, such as Edith Abbott and Sophonisba
Breckinridge, maintained tight ties to the federal welfare bureaucracy.
In the first chapter on Cabiria and Italian "colossal" films, the author demonstrates how Cabiria and Sophonisba
are prototypes for the "good" and "bad" woman, respectively.
I would exclude not only Renaissance plays like Macbeth, Sophonisba
(whose tragic hero is not the witch), and The Witch (whose witches are not tragic figures), but probably also modern plays like The Crucible and Vinegar Tom, whose witches are not "actual" witches (i.
Thomas Walkley introduces his 1622 edition of Othello by "leaving every one to the liberty of judgement"; Richard Jones anticipates the "learned censures" of readers of his edition of Marlowe's Tamburlaine; the "generall Reader" of Marston's Sophonisba
(1606) is requested by the author to "peruse me with no prepared dislike, and if ought shall displease thee thanke thy selfe.
Two of the early sociologists involved with the origination of the juvenile court system, Edith Abbott and Sophonisba
Breckenridge, summarized this concept when they wrote that they saw the state as "a sorrowing parent.
is altogether more cool and composed, seated, and perhaps looking up at her husband, with the cup of poison in her hand that he has given her to spare her from dishonour.
In real life I can think only of Sophonisba
, Cleopatra, and Yang Kuei-Fei.
visit Addams, Sophonisba
Breckenridge, Mary Van Kleek, Edward Devine,
Rist's essay exposes the ambiguous boundary separating superstition, idolatry, and devotion in the antique Roman-contemporary Romanist cult of the virgin in Marston's Sophonisba