Spark, Dame Muriel

Spark, Dame Muriel, 1918–2006, Scottish novelist, b. Muriel Sarah Camberg. She lived in Edinburgh, Rhodesia (now Zimbabwe), London, New York, and Rome, and spent her last years in Tuscany. Spark's typically short, spare, and witty novels expose the pretensions, hypocrisies, and petty foibles of her characters with merciless satire and cool detachment. Her Roman Catholicism (she converted in 1954) informs her acute moral vision and underlies her interest in revealing the dark, terrifying, evil, and unexplainable side of banal human experience. Spark's more than 20 novels include The Comforters (1957), Memento Mori (1958), The Bachelors (1960), The Girls of Slender Means (1963), The Mandelbaum Gate (1965), The Abbess of Crewe (1974), The Takeover (1976), Loitering with Intent (1981), A Far Cry from Kensington (1988), Reality and Dreams (1997), Aiding and Abetting (2001), and The Finishing School (2004). Her short novel The Prime of Miss Jean Brodie (1961) became an acclaimed stage, film, and television production. Her poems and short stories are compiled in Collected Poems I (1967), Collected Stories I (1968), and Open to the Public: New and Collected Stories (1997, rev. ed. 2001). She also wrote critical studies of Mary Shelley (1951) and John Masefield (1953) and a biography of Emily Brontë (1953). She was made a Dame of the British Empire in 1993.

Bibliography

See her autobiography, Curriculum Vitae (1993); critical biography by B. Cheyette (2001); studies by D. Stanford (1963), K. Malkoff (1968), P. Stubbs, ed. (1973), R. Whittaker (1982), A. Bold, ed. (1986), D. Walker (1988), R. S. Edgecombe (1990), N. Page (1990), J. L. Randisi (1991), J. Hynes, ed. (1992), J. Sproxton (1992), M. Pearlman (1996), F. E. Apostolou (2001), and M. McQuillan, ed. (2001).

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Spark, Dame Muriel

 orig. Muriel Sarah Camberg

(born Feb. 1, 1918, Edinburgh, Scot.—died April 13, 2006, Florence, Italy) British writer. She spent several years in Central Africa, returning to Britain during World War II. Until 1957 she published only poetry and criticism, including studies of Mary Shelley and the Brontë sisters. Her fiction uses satire and wit to present serious themes, often questions about good and evil. Memento Mori (1959) is her most widely praised novel; the best-known is The Prime of Miss Jean Brodie (1961; film, 1969). Her later novels, often more sinister in tone, include The Abbess of Crewe (1974), A Far Cry from Kensington (1988), and Reality and Dreams (1996).