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Score
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score, in musical notation musical notation, symbols used to make a written record of musical sounds.

Two different systems of letters were used to write down the instrumental and the vocal music of ancient Greece. In his five textbooks on music theory Boethius (c.A.D. 470–A.D.
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, manuscript or printed music in which the various parts are placed one above the other so that notes that are to be played simultaneously are in vertical alignment. Early polyphony was notated in score until the early 13th cent., when choir books, in which the parts were written out separately one after another, came into use. Part books, with a separate book for each part, were employed in the 16th and 17th cent. With the rise of opera music around the beginning of the 17th cent., the modern score came into being, with bar lines scored from top to bottom through all the staffs. A full score is one such as an orchestral conductor uses, in which each part is on a separate staff, while in a condensed score two or more parts are written on a single staff. Full scores are also printed in miniature pocket editions. In a vocal score or piano-vocal score of an opera or a choral work, the vocal parts are written out in full but the accompaniment is reduced to two staffs.

score

In music, the parts of all the instruments or singers of an ensemble notated with simultaneous sounds aligned vertically, on a system of parallel staffs arranged one above another. Polyphonic (multivoiced) music was being composed for some 600 years before the score came into regular use in the 16th–17th centuries. Early examples of scores exist for works of the Notre-Dame school, and early composers may have used temporary scores during composition, perhaps on chalkboards, from which the parts for individual singers were then copied.


score
1. Music
a. the written or printed form of a composition in which the instrumental or vocal parts appear on separate staves vertically arranged on large pages (full score) or in a condensed version, usually for piano (short score) or voices and piano (vocal score)
b. the incidental music for a film or play
c. the songs, music, etc., for a stage or film musical
2. Dancing notation indicating a dancer's moves

score [skȯr]
(geology)
(graphic arts)
Indent or impress mark on paper which facilitates folding.

score
1. To cut a channel or groove in a material with a hand tool or a circular saw so as to interrupt the visual effect of a surface or otherwise decorate it.
2. To roughen the surface of a material with gouges to provide a better bond for mortar, plaster, or stucco; to scratch.
3. To groove a freshly placed concrete surface with a tool to control shrinkage cracking.
4. To roughen the top surface of one concrete pour in order to provide a better mechanical bond for the next pour.

Score 

(Italian, partitura,) the notation of all the parts of a vocal, instrumental, or vocal-instrumental composition, in which the parts for the various instruments are arranged, one on top of the other, so that the beginning of each measure and every beat in a measure are aligned. Thus, a score makes it possible to read at a glance the sounds to be produced simultaneously in all parts.

The musical score originated in Italy in the mid-16th century and eventually became the main form for notating multipart compositions. Separate copies of the various parts are published for the performers, but the conductor (or choirmaster) always reads from the score in rehearsal and in performance.

Gradually, an order was established for the arrangement of parts in a score. In a vocal (choral) score the voices are arranged from top to bottom, according to descending tessitura (soprano, alto, tenor, bass). In a score for a symphony orchestra the instrumental parts are arranged in groups, from the top of the page to the bottom: woodwinds, brass, percussion, harp (if called for), and strings. Within each group, the parts are arranged in order of descending pitch. Solo vocal and instrumental parts, as well as choral parts, are written between the harp and string parts.

I. A. BARSOVA



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